Roger Taylor – Page 2 – Well Eye Never

Parties At The Palace – Part 1

Many congratulations to Her Majesty Queen Elizabeth II on her Platinum Jubilee! 70 years on the throne is an astonishing achievement, being the first time a British monarch has ever reached such an incredible milestone. It may never happen again, certainly not within any current living person’s lifetime, so it is a truly historic occasion.

I hope The Queen has enjoyed all of the celebrations that have been held in her honour, and it’s been lovely to see her making a few appearances as her mobility allows. And I hope everyone else has enjoyed the various activities that have taken place, or have just made the most of the opportunity to relax and have fun during an extra couple of days off work, over the specially extended holiday weekend.

I’ll mention the Jubilee coverage I’ve enjoyed this year in my next post, including the huge concert that took place at Buckingham Palace on Saturday.

But first, I wanted to talk about the 2002 Golden Jubilee Concerts that I have on DVD, as I’ve naturally rewatched them as part of the build-up to this year’s celebrations. And I’ve had a look through the limited footage available online from the 2012 Diamond Jubilee Concert as well.

Ultimately, the 2002 Party At The Palace remains the only concert that I’m happy to watch in its entirety, even including the weaker acts, whereas for the Diamond and Platinum parties there are several artists I’ve had to skip over. So I’ve written very detailed reviews for the 2002 gigs here, and tagged on a shorter review to mention my highlights from the 2012 event.

We’ll all have different views on these concerts of course, given the wide range of performers from different decades, countries and musical genres, and it’s great that the organisers ensured there was something for everyone. So these are only my personal thoughts, but I hope you enjoy reading through them!

Queen Album Review – Jazz

Following News Of The World, an album of raw energy that spawned the mega-hits We Will Rock You & We Are The Champions, on top of their previous successes, was always going to be a very tall order for Queen. But, as always, they weren’t deterred by that, and opted to explore a variety of musical styles on their 7th album (though not including jazz itself as the title might suggest). And it didn’t do them any harm, as the LP peaked at Number 2 in the UK charts (held off the top spot by the Grease soundtrack), and Number 6 on the US Billboard Chart, going Platinum in both countries.

Overall the album perhaps isn’t as stunning as some of their previous work, but only because of the incredibly high bar they’d set themselves, and it’s still really good in its own right. For a start, it gave us their well-loved songs Fat Bottomed Girls, Bicycle Race and Don’t Stop Me Now, a trio that makes it worth the price of entry alone (although surprisingly the latter wasn’t a big hit to begin with). And the other ten tracks are an enjoyable mixture too, with some relatively obscure gems amongst them as usual.

The heavy criticism it received in the music press at the time was certainly unwarranted, with the band even being described as “fascist” and “creeps” with “polluting ideas” by Rolling Stone reviewer Dave Marsh. But it was often fashionable for music critics to bash the band, and reviewers tended to be thrown off guard whenever Queen tried something different (which was always), not knowing how to react to it and simply not ‘getting it’. Queen’s humour and sense of fun often went over journalists’ heads.

Hindsight has been kinder though, with retrospective reviews often being more favourable, such as Loudersound ranking it as their 4th best album, and Rolling Stone magazine admitting they were wrong. It is now rightly acknowledged that the album is rather underrated, as it’s never had as much attention as some of their earlier work.

And so, as the latest instalment in my series of Queen reviews, this post is my personal run-through of all the tracks on the Jazz album, including the usual mixture of alternate versions, live performances, covers and more. I hope you enjoy!

October 2021 Favourites

Finally. After all the pandemic restrictions and my recent health problems, it’s such a joyous relief to be out and about properly again, doing the things I enjoy.

So there’s quite a lot to mention in this month’s post and video, as I’ve been attending theatre shows for the first time in ages, taking nice walks, and enjoying a mixture of films, dramas, comedies and music at home. Plus I bought the new iPhone 13, which I’m very happy with as explained in my review, so the photos and videos you see going forward will be taken using that.

Apart from the theatre show States Of Mind, for which I was given complimentary tickets to go along and review, nothing else in this post involves any gifting or sponsorship. And all opinions are my own throughout. So I hope you enjoy!

September 2021 Favourites

Hello again, I hope you’re all continuing to enjoy yourselves safely. I’m happy to say that I’ve managed to get out to meet some friends and explore the city again at long last, as my aches and pains are continuing to ease off, now that I’ve figured out how I was over-correcting my posture problems. I’m still not cancelling my November NHS physio appointment yet, as I don’t want to tempt fate, but I’m feeling much better at the moment. So I seem to be moving in the right direction, touch wood!

That means I actually have some recent and upcoming London adventures to tell you about in this month’s post and video, as well as the usual mixture of entertainment I’ve been into. So it’s a bumper update this time. With the exception of a theatre show I’ll be mentioning, for which I’ve been kindly given a review ticket, nothing else in this post is sponsored or gifted. So I hope you enjoy!

August 2021 Favourites

Hello there, hope you’ve been having a safe and enjoyable summer, especially if you’ve been able to get out and about more.

I still haven’t been out anywhere special because of the ailments I’ve been dealing with over the past few months, which I admit has been difficult and frustrating sometimes, as it’s so hard to get any proper help at the moment. Hence this post is a bit late this time around, as I’ve only recently felt up to doing it. I think I might finally be getting somewhere, thanks to some help from an osteopath at a private clinic and figuring out a few changes I can make myself, but I’m not entirely sure yet. And even if I am right, it’s going to take a while for my body to settle down and repair itself anyway.

In any case, I do have a referral for physiotherapy on the NHS, but the earliest they could give me (when I booked in July) was a phone consultation in November. So I’m going to take it easy and see if I can hold out until then. But if I get worse, or if the NHS cancel due to Covid pressures and give me another long wait, then I’ll have to pay to go private again, as 1 in 5 people are having to do right now. It’s important to say that everybody who works for the NHS is amazing and wonderful, and they deserve all our praise, love and respect, but the fact remains that the system is so woefully under-funded and under-resourced that it makes life very hard for staff and patients alike. So we’ll see how things go. But thank you to all the friends who have been keeping in touch and checking in on me, it means a lot.

Still, enough of all that. There are much more interesting things to mention in this month’s post and video, including my birthday, sports and lots of entertainment as usual. None of it is sponsored or gifted as always, apart from my birthday presents of course. So I hope you enjoy!

Queen Album Review – News Of The World

1977 could have been the year that Queen’s reign came to an end. With punk rock very much in the ascendancy, having gained traction over the previous few years, there was a greater appetite for raw power and simplicity in rock music, rather than elaborate and fancy progressive rock. And Queen’s last album, A Day At The Races, despite being an excellent collection of songs, hadn’t sold quite as well as its behemoth predecessor A Night At The Opera, with some critics and fans feeling that it was more of the same without any notable improvement. So it was going to seem too repetitive if they did the same kind of thing yet again.

The band were perfectly happy to adapt and take on the challenge though, and indeed were already keen to try something different from the multi-layered, complex productions they felt they’d done enough of by this point anyway. So even without the emerging competition from the punk scene, it was already the evolutionary path they were heading down.

As a result, News Of The World marked a shift towards a purer hard rock sound, and took just 2 months to record (compared to 5 for A Day At The Races). The tracks still had some beautifully arranged harmonies and instrumentation thrown in, but not as lavishly and prominently as before. There was also a change in how evenly the writing credits were distributed, with 4 tracks now written by Brian, just 3 by Freddie, and an increase to 2 each for Roger and John. And the band produced the album themselves, with assistance from engineer Mike Stone, now they had the experience and confidence to do so themselves.

It all worked out very well, resulting in another great selection of songs. And so, as you’ll be accustomed to by now if you’ve followed my Queen reviews to date, this is my personal review of each of the tracks, including a look at alternate versions, music videos, live performances, covers, etc, along with other bits and pieces that I’m aware of. I hope you enjoy!

Queen Album Review – A Day At The Races

The time has come for me to review Queen’s 5th album, as part of my ongoing series of reviews. The musical majesty and stellar success of A Night At The Opera was always going to be a tough act to follow, and impossible to beat. But Queen were up for the challenge, and set about making A Day At The Races between July and November 1976. They produced it entirely by themselves for the first time, now that they had sufficient experience and were keen to give it a go, instead of employing Roy Thomas Baker like they had before. They continued to use engineer Mike Stone though.

The album was designed to be a companion piece to its predecessor with a similar variety of music. So it was again named after a Marx Brothers film, and Groucho Marx sent a note to congratulate them on their success and their “sage choice of album titles”. It also had a similar cover design to the previous album, with the colourful Queen crest on the front, but everything was on a black background instead of white this time. Brian later expressed a wish that both Opera and Races had been released together, as “the material for both of them was written at the same time, so I regard the two albums as completely parallel.”

The band are also credited in fun ways in the sleeve notes – in addition to the usual mentions of vocals, piano, guitar, etc, Freddie is the “Choir Meister” and contributes “tantrums”, Brian is the “Leader of the Orchestra”, and Roger provides “Pandemonium”. John is merely credited as playing Fender Bass and doesn’t get anything extra, which is reflective of his nature as the quiet one in the group.

Christmas 2020 Favourites

Happy New Year! Well, as happy as it can be in the circumstances. Let’s face it, 2020 is the year that nobody wants to look back at. Referring to perfect vision as 20/20 will forever carry a certain irony with it now. And if you were to try and sum up the year with a word or phrase, there isn’t much that’s family-friendly that truly does it justice – other than dumpster fire perhaps, which I’ve seen a lot of people use very accurately.

But I did manage to find plenty to keep me occupied, as you can see from my many Favourites posts during the year. The major highlights for me were definitely being interviewed on the BBC’s In Touch programme, taking part in the CXcon Accessibility Panel Discussion, and being able to see at least a couple of my friends after such a long period apart. I also started publishing my old journal posts to fill the gap left by my lack of activity, which have had a surprising amount of interest, and my very in-depth reviews of Queen’s albums for their 50th anniversary. Both of those projects will continue to keep me busy on my blog throughout 2021.

Granted, 2021 hasn’t started off any better, but that’s because we’re still experiencing the fallout from the damage caused by its unruly predecessor. 2021 has its work cut out trying to repair that, and it will undoubtedly require the assistance of 2022 and beyond to achieve it. However, 2021 is giving us a lot of reason to be hopeful, so there is definitely light at the end of this long, dark tunnel we’ve all been stuck in.

But I need to wrap up 2020 nevertheless. It was a strange and difficult Christmas without a doubt, not the sort any of us wanted, and it’s going to be a hard winter for many, especially now we’re in lockdown again. There’s a big ray of hope with the rollout of the vaccines though, so the future’s looking good, and many thanks to all the health workers who are doing their utmost to dish them out as quickly as possible.

My thoughts also go to everyone in America after the recent terror attack amid the fallout from Trump’s defeat. Biden’s inauguration on January 20th can’t come soon enough. Best wishes from across the pond, stay safe!

Those challenges aside, however, I hope you were able to find some enjoyment and comfort during the festive period, insofar as the rules allowed in your part of the world.

Mum and I are doing fine, I’m pleased to say. We’ve enjoyed lots of nice treats, and have had plenty of fun things to watch and listen to, all of which has been a welcome distraction from the news. I continued to have a few long walks around my local area during December as well, as that was the only way I could get out and about, so it was important to make the most of it. Mum’s had a bit of fresh air too of course, but doesn’t go on the long hikes like I do, and we’ve made sure she stays well away from other people apart from her sister (and even then they keep their distance at the front door, she hasn’t been in the house).

So we did pretty well this Christmas despite the limitations, and here’s my festive post and video to round things up. I’m not going to mention absolutely everything we filled our stomachs with, or every little bit of entertainment we watched or listened to. I’m just going mention my favourite things, as is the purpose of these posts. Nothing here is sponsored as usual, and any gifts are just from friends, not the people behind the products. So I hope you enjoy!

Queen London Locations Walk

Back in September I spent a day walking around some of the Queen-related locations in Hammersmith & Kensington, following the Day 1 itinerary on the Queen Locations website (and you can read a Queen Online feature by site owner Judit as well).

My intention was to find most of the locations listed on that website over a series of walks – i.e. those that still exist that I can get to reasonably easily. However, due to the weather and the toughening up of Covid restrictions, I haven’t yet had a safe chance to go hunting for any more.

So these are the locations I’ve found so far, including some key places where the band lived, recorded and performed. As well as the website mentioned above, further notes and photos about these locations can be found on Queen Concerts, Mercury Paradise and the map on Shane’s Queen Site. I hope you enjoy walking in Queen’s footsteps with me!

Queen Album Review – A Night At The Opera – Part 1

This is the big one, the album that launched Queen into the stratosphere. The previous release, Sheer Heart Attack, was already a joyous collection of majestic variety that sounded like perfection to many, and its predecessor Queen II was also (and still is) held in very high regard. And yet the band still felt they were learning and developing, and they were keen to push things further still for their next album.

They were also having a fresh start, having moved to EMI Records and recruited new manager John Reid (who also managed Elton John), after ending their contract with Trident Studios under a dark cloud. Queen hadn’t been getting paid fairly for the success of their previous work, due to the contract they’d signed up to, and that contract was very expensive to get out of. So they were broke, which placed considerable pressure on them. It was now all or nothing. Their next release had to be a big success, otherwise that would be it, Queen would be no more.

But they were up for the challenge, and determined to show the world what they were capable of. They had also been told by their new manager to make the best album they’ve ever done, with complete freedom to do whatever they wanted. So they made the most of the opportunity.

They incorporated everything they’d learned and played around with up to that point (clear influences can be heard on their earlier albums, e.g. songs on Queen II like My Fairy King), and took full advantage of the studio technology available to them (using 7 studios altogether). They had carefully written lyrics and distinctive melodies (with all 4 band members writing at least one track each), a range of simple to complicated song structures, multi-tracked harmonies (now working with 24-track tapes instead of 16), a myriad of musical styles and instruments (using what felt best for each song rather than sticking to a particular genre), and big production values. It was the most expensive album ever made at the time. And they named the album after a Marx Brothers film, even becoming good friends with Groucho Marx as a result.

Their incredible efforts gave us their first and most successful number 1 single, plus the first chart hit to be written by their bass player, and many other beautiful songs. It held the number 1 spot on 4 of its first 7 weeks in the chart (held off on the other 3 occasions by Perry Como’s 40 Greatest Hits, a very different record entirely!). It stayed in the top 40 for 34 weeks (including 12 weeks in the top 10 & 16 in the top 20), and as recently as last year it was still poking its head into the lower end of the Top 100 every so often, which it will continue to do now and again in the future, each time a new generation is introduced to the band in some way. Inevitably the most famous track on this album is the one that regularly draws people to it time and time again.

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: