Tag: Queen Reviews

Queen Album Review – The Works

Following the poor reception to Hot Space in 1982, which had focused too heavily on funk and disco sounds, Queen took the hint and brought more rock elements back into the mix for their 1984 album The Works. It also helped that they had taken a break in between those releases, focusing on solo work instead, so they came back refreshed as a group.

The result is a combination of 70s and 80s styles that is much more interesting, and it gave us huge hits like Radio Ga Ga, I Want To Break Free and Hammer To Fall, although the video for one of those songs didn’t go down well in America.

In the UK, the album jumped straight into the charts at number 2 for a week, and while it never managed to reach the top spot, it did return to the second place position 3 months later for a fortnight. It spent 57 consecutive weeks in the top 100 initially (25 of which were top 10), but then kept returning for a little while every so often. So in total it was in the chart for 94 weeks, which is the longest for any Queen album. It’s also their only album from which all of the songs were released as either A or B-side tracks on singles.

So for the latest in my series of Queen album reviews, here’s a look at each of the tracks, along with alternate versions, live performances, covers and more. I hope you enjoy!

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Queen Album Review – Hot Space

We’re really Under Pressure from this latest heatwave, so it would help if someone could take Action This Day to Put Out The Fire in order for me to be a Cool Cat again. Then I can start Calling All Girls to pass on The Words Of Love and emphasise my Body Language as a Dancer. I’ll prove that I’m a Soul Brother who knows that Life Is Real, I have the Staying Power and I won’t take any Back Chat.

Yes, that’s right. For this next post in my series of Queen reviews, we come to an album that proved to be quite controversial – Hot Space. It was hardly unusual for Queen to be experimental, but this foray into funk, disco and R&B, with a heavy focus on synth sounds (although there were still rock elements as well), was too much of a change from their traditional style. Even within the band there were arguments as they put it together.

The reaction from their fanbase wasn’t lost on them either, as Freddie remarked during a show in Milton Keynes: “Now, most of you know that we’ve got some new sounds out in the last week. And for what it’s worth, we’re gonna do a few songs in the funk/black category – whatever you call it. That doesn’t mean we’ve lost our rock ‘n’ roll feel, ok? I mean, it’s only a bloody record, people get so excited about these things. We just want to try out a few sounds.”

It is fair to say that Hot Space is their weakest studio album as a result (if we don’t count the soundtrack score for Flash Gordon that preceded it). However, it’s not awful either, and there is some good stuff on it, especially Life Is Real, Las Palabras De Amor and Under Pressure, as they’re closer to Queen’s usual style. It also peaked at number 4 in the UK chart, altogether spending 3 weeks in the top 10 and 13 weeks in the top 40, which is fairly good. And when they performed some of the tracks live, they were interpreted in a more heavy rock style that made them sound better, because of the instruments the band used on stage.

So here’s my personal review of each of the tracks, along with alternate versions, live performances, covers and more. I hope you enjoy!

An artistic image showing images of the 4 members of Queen against a black background. Each is facing forward with light hitting their face from the left side of the image, leaving the other side of each face in shadow, blending into the black behind them. Each face is shown in a different colour, with John in red, Brian in blue, Freddie in yellow and Roger in green.
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Queen Album Review – Flash Gordon

Following on from my recent review of Queen’s first album of the 1980s, The Game, their next release was something very different, providing their first ever soundtrack for the sci-fi movie Flash Gordon.

It only has a couple of songs and a bunch of instrumentals, and therefore wasn’t as successful as their normal studio albums. But it did peak at number 10 in the UK albums chart, for 1 week out of its total 9 in the top 40, which is respectable.

A photo of Freddie Mercury singing into a microphone, while wearing a white t-shirt with the word Flash in large red letters on it. The photo is from the booklet with the Flash Gordon album, with a yellow streak of lightning above him.
A photo of Brian May playing guitar from the booklet with the Flash Gordon album, with a yellow streak of lightning above him.
A photo of Roger Taylor playing drums from the booklet with the Flash Gordon album, with a yellow streak of lightning above him.
A photo of John Deacon playing bass guitar from the booklet with the Flash Gordon album, with a yellow streak of lightning above him.

I do have the album in my collection for completeness, but I rarely listen to it, partly because it isn’t anywhere near as good as their other stuff, but also because I’ve never actually watched the film before – until now. Given my love of Queen I always knew I ought to see it one day, but I didn’t think I’d be very interested in it from the clips I’d seen.

And to be honest, having now viewed it properly for the purposes of this review, my assumption was correct. I appreciate it’s a cult classic that is basically the comic strip brought to life, and Queen’s music does give it a boost. And chances are it’s a case of “you had to be there”, as I wasn’t born when it was released, whereas a lot of fans grew up with it. But unlike other surreal, low-budget masterpieces like The Rocky Horror Picture Show that I love, this movie simply doesn’t grab me. It just feels very dated with a nonsensical plot, poor performances (except perhaps for Brian Blessed and Max von Sydow), cringeworthy dialogue and substandard special effects even for its time. For some people its flaws are a big part of its charm, meaning it’s so bad it’s good, but I just can’t get on board with it. It just feels like some strange fever dream! Still, I’m glad I gave it a go, so I have a better frame of reference at least.

So this post is just going to be a quick run-through of Queen’s music on the album, along with some live versions, remixes and covers, as I have nothing else to say about the film itself. And that means it’s going to be short compared to my other Queen reviews, but I hope you find it interesting nonetheless.

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Queen Album Review – Queen II – Collector’s Edition

Back in 2024, Queen released a collector’s edition of their debut album with new mixes, session outtakes, backing tracks and live performances, which I reviewed at the time.

And now, as has been long anticipated since then, they’ve brought out a collector’s edition of Queen II, their fantastic and highly complex second album, in much the same vein. So naturally I’ve been looking forward to checking that out as well.

Once again, there are multiple formats available from various retailers, including a big box set with 5 CDs and 2 LPs, a much simpler 2-disc CD edition with the new mixes and the sessions material, and others.

And just like last time, I’ve plumped for the digital download instead. It’s just £17.99 for the contents of all 5 CDs compared to the frankly ludicrous £194.99 for the physical equivalent, which has 2 vinyl records I’d have no use for and 2 of the CDs contain live tracks I already have from older releases. Sure, the book and photo prints look really nice, but I can live without them in the circumstances.

Considering the 6-CD box set for their previous album was an already steep £149.99, I’m baffled as to how this new 5-CD set is £45 dearer! Maybe it’s because it has 2 LPs rather than 1 like the previous set, one of which is white vinyl rather than black (as the album has ‘Side White’ and ‘Side Black’ instead of Sides 1 & 2). But it’s a lot extra just for that. If there had been a similar set without the vinyl LPs for a much cheaper price, I’d have been tempted to get it, but it’s quite common for box sets these days to have vinyls I don’t want. It always bugs me when artists do that.

Anyway, back in lockdown I wrote an extensive post reviewing the tracks on Queen II, along with related live performances and covers, so I’m not going to repeat that kind of thing here. Instead, I just want to compare the new mixes to the originals and look through the bonus material, and I’ve added the new tracks to my Queen II playlist as well. Nothing here is sponsored or gifted, because I bought the new download myself, and I hope you enjoy!

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Queen Album Review – The Game

Way back in lockdown, to fill some of the time, I wrote in-depth reviews of the 1970s studio albums by Queen, my favourite band, which took me from their self-titled debut up to the Jazz album. And they’re about to release a new deluxe edition of Queen II, which I’m looking forward to downloading and reviewing, just like I did for their Queen I box set.

However, it’s long been my intention to review the rest of their albums as well, and now I’ve got more time on my hands, I’m going to delve back into them at long last.

So we’ll kick off the 80s with The Game, the album that produced Queen’s best-selling single of all time, and the only two number 1 hits they ever had in America (where it was also their only number 1 album, selling over 4 million copies). The Game also reached number 1 in the UK for 2 weeks, and stayed in the top 40 for 15 weeks altogether. Overall it sold over 12 million copies worldwide.

Freddie Mercury, sporting a moustache and wearing a black leather jacket over a red top, leaning back against a railing overlooking a snowy landscape with trees and a couple of buildings.
Brian May, with his hands in his light brown jacket pockets, leaning back against a railing overlooking a snowy landscape with trees and a couple of buildings.
John Deacon, wearing a white shirt and a long black tie, leaning back against a railing overlooking a snowy landscape with trees and a couple of buildings.
Roger Taylor, wearing a black jacket decorated with small white motifs of aeroplanes, leaning back against a railing overlooking a snowy landscape with trees and a couple of buildings.

It’s also the first Queen album to feature a synthesizer (an Oberheim OBX), with their previous releases proudly stating that they never used them. Plus they had a new producer (Reinhold Mack, known simply as Mack), and they recorded the songs in a new location, at Musicland Studios in Munich. It therefore marked a new period of experimentation for the band, as they were persuaded to shift towards a more pop-friendly sound, although still infused with rock of course and it still sounds unmistakably like Queen.

It wasn’t always easy, with arguments in the studio as the band members were keen to be represented fairly on the record. But ultimately they were able to reach suitable compromises and produce another decent album with several great tracks. And as shown by the chart positions above, it enabled them to maintain their popularity in an era where other rock veterans were struggling, and even have their peak of success in the USA. The music scene was changing significantly in the 80s, but Queen were still very much in the game and still winning, at least for now.

So here are my reviews of all the songs, along with alternate versions, music videos, live performances, and a small selection of the many covers and remixes out there. I hope you enjoy!

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Freddie Mercury’s World – Part 10 – The Performer

We got there in the end. To conclude my series of photos that I took at the Freddie Mercury: A World Of His Own exhibition at Sotheby’s in 2023, we’re paying close attention to what the Queen frontman was best known for – his songwriting and performing.

There are some very significant items here, most of which are from the On Stage auction, but there are a few pieces from other auctions thrown in too. It all depends on how Sotheby’s had things on display in the galleries.

As has been the case in all the previous posts, clicking on the images will blow them up and the item links will take you to the description pages. So I hope you enjoy!

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Freddie Mercury’s World – Part 9 – Stage Fashion

Here’s the penultimate collection in my series of amazing items that I saw on my visit to Freddie Mercury: A World Of His Own, the exhibition that took over Sotheby’s in 2023.

We’re now turning our attention to the On Stage auction, where items relating to Freddie’s songwriting and performing – some of which are very recognisable and important to big Queen fans like myself – sold for a total of £9,476,740! Most of the clothing shown here is from that auction but, as with previous posts, there are a few pieces from other auctions mixed in as well.

As ever, you can click on the images to enlarge them and the item names to read more, and I hope you enjoy seeing the wide selection I’ve included here.

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Freddie Mercury’s World – Part 8 – Little Things

Here’s the next part of my in-depth series about my visit to the exhibition Freddie Mercury: A World Of His Own at Sotheby’s in 2023. And we’re continuing on from my previous post about the Crazy Little Things gallery.

This time I’m going to show you a wide selection of mostly smaller items that were sold in the first and second Crazy auctions, and occasionally some of the other auctions, from jewellery to various random objects.

As always, to enlarge the images you can click on them, and to read more about each item you can click on its name. Enjoy!

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Freddie Mercury’s World – Part 7 – The Collector

Freddie Mercury was an avid collector of objects, who had a real eye for beauty, loved all things feline and had a great sense of humour. And that’s clearly in evidence here, as we continue looking back at my photos from the 2023 A World Of His Own exhibition that took place at Sotheby’s.

This time we’re looking at items to do with cats, clothing, books and music that he collected. Most of them are from the auctions Crazy Little Things 1 and Crazy Little Things 2, which raised £10.3 million altogether! But there are a few bits and pieces from other auctions mixed in too, just as there were some items from the Crazy auctions in my previous posts.

So there’s plenty to look through, and as before you can click on the images to enlarge them and the item names to learn more. Hope you enjoy as always!

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Freddie Mercury’s World – Part 6 – Awards

We’ve crossed the halfway point in my look back at the 2023 Sotheby’s exhibition Freddie Mercury: A World Of His Own. I hope you’re finding it interesting so far.

For this post we’re going to look at a whole bunch of awards, because Freddie and Queen were honoured with a deluge of well-earned accolades during and after his lifetime, so there were lots on display in the exhibition. I’m not going to list them all, obviously, but I’m going to present a big selection that I took photos of, to give you a thorough sense of what was there. Most were sold in the Crazy Little Things 2 auction while a few were in the On Stage sale.

A wall filled with disc sales awards for Queen and Freddie Mercury albums and singles.

The vast majority of the sales awards adorned the walls of a room featuring Freddie’s royal cloak and crown (which you’ll see in a later post in this series). There were a huge number of silver, gold and platinum awards there, for the sales of singles and albums, and occasional awards for videos. But there were also some awards scattered around elsewhere too. A lot of the awards for disc sales look very similar by their nature, but there are a few more striking ones in amongst them.

So let’s crack on with it. As before you can click on the images to enlarge them and the award names to find out more, and I hope you enjoy!

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