It goes without saying really, but guide dogs are beautiful, incredible and vitally important companions to many people with sight loss. And right now there’s a sculpture trail in London dedicated to these life-changing and life-saving animals. This post isn’t a sponsored ad for it, but it’s something I think is well worth exploring if you’re in the capital.
I had fun hunting them all down, so in this post I’m going to share some of my photos of these pedigree chums, all of which I thought were beautiful, and I hope you enjoy looking through them!
Hello again, I hope you had a nice Easter! And welcome to my latest roundup, which is an ‘out and about’ special, because I’ve had a very eventful month, with a couple of theatre shows, a couple of stand-up comedy gigs and a couple of tasty free meals that I want to talk about. I paid for the theatre and comedy shows myself, while the meals were free PR invites for my friend Emily to review, but all opinions are my own regardless. So I hope you enjoy this month’s post and video!
I wasn’t old enough to see Live Aid when it was originally held on 13 July 1985, as I was only a toddler at the time. As if anyone needs reminding, the extraordinary concert was organised by Bob Geldof from the Boomtown Rats and Midge Ure from Ultravox to raise funds for the victims of the devastating famine in Ethiopia. It brought together many of the world’s biggest music stars in London’s Wembley Stadium and Philadelphia’s JFK Stadium, along with some additional contributions from other countries, and was broadcast live for 16 hours to nearly 2 billion viewers in 150 nations.
An event of such magnitude had never been attempted before, so given the speed in which everything was organised and coordinated, the generosity of the performers and other personnel who gave their time and expertise for free, and the challenges of running and broadcasting it all using the limited technology of the mid-80s, it was a colossal achievement.
It wasn’t a magic bullet that fixed all the problems in Africa of course, nor was it ever intended or expected to be. But it had a huge impact, exposing the suffering of Africans in a way that couldn’t be ignored by politicians, the media or the public, and it raised an estimated £150 million that saved countless lives. It also launched a movement to fight poverty and injustice that has continued in various forms to this day, including the Live 8 concerts that followed in 2005, plus other charity records and events.
So obviously I did hear about Live Aid while I was growing up, and saw occasional clips here and there. But it was only when they released a DVD in 2004 that I finally got to really appreciate what it was like. Granted, several tracks were missed out, many of which have since been posted on the official Live Aid Youtube channel, and there are unofficial uploads of most of the others. So it would be amazing if they did an extended 40th anniversary release next year to fill in at least some of the gaps. One can hope at least. But as things stand, the DVD is still a fabulous record of the event, containing 10 hours of material.
I also got a further sense of what the experience must have been like recently thanks to the musical Just For One Day, which has just ended its 2-month run at the Old Vic Theatre. I had an amazing time seeing it with a touch tour and audio description, as I’ll explain in my upcoming March Favourites post.
But before that, as a special extended post for Easter, I thought I’d take a deep dive into this massive event, by reviewing the DVD in conjunction with other videos online that fill in the gaps and add further context. I’ve also created UK and US playlists on Youtube with nearly all of the performances, along with a selection of interviews and other extras. So I hope you enjoy!
Welcome to my first Favourites post and video for this year! As I had a very busy Christmas that lasted until mid-January, it made sense to combine the latter half of that month with February for this roundup.
Recent weeks have been quite relaxed compared to the festive period, as hoped and expected, but there’s still quite a variety of bits and pieces to mention. These include an audio described gallery tour, a free meal, a special scenic view of the city, an important new audio play, things I’ve been watching that have been recommended by friends, and other entertainment I’ve enjoyed. Some of these items are PR-related, as indicated when appropriate, but all opinions are my own regardless. So I hope you enjoy!
Unseen is an important and powerful audio drama about the impact of domestic abuse on visually impaired people. The free 45-minute production has been created by Extant, the UK’s leading performing arts company of blind and visually impaired actors and practitioners, and is inspired by the findings in the Unseen Report from the Vision Foundation.
I recently reviewed the dramain advance of its online premiere on Monday 4th March. But in addition to that, I was also invited to send in some questions to members of the team to find out more about how it was made.
So I’m delighted to share some interesting insights from sound designer Ian Rattray, director Ben Wilson and actor Georgie Morrell. Many thanks to all of them for putting aside some of their valuable time to answer my questions!
Content Warning: Domestic abuse. There is support informationat the end. I had early access to Unseen for review purposes, but all opinions are my own.
It can be easy to take dramas for granted, as just another form of entertainment. But recently we’ve all been reminded just how emotionally powerful the medium can be, for raising awareness and generating action around serious and devastating real-life issues. The Mr Bates series about the Post Office scandal, and Breathtaking about the NHS during the pandemic, pulled back the curtain to reveal shocking details about events that many people had little to no knowledge of.
The stories were told in a way that was realistic, relatable and accessible, without being sensationalised, so they were compelling and stuck in the mind very effectively.
Now a new audio drama by Extant, the UK’s leading performing arts company of blind and visually impaired actors and practitioners, takes a similar approach to another very difficult issue, in a uniquely creative way.
Unseen, a 45-minute drama which will be available to stream for free on Monday 4th March, shines a light on one of society’s most hidden and disturbing crimes – domestic abuse against visually impaired people (the lessons from which are applicable and adaptable to victims of all disabilities).
Did you know, for example, that at least 1 in 12 visually impaired people in the UK (around 188,000) are a victim or survivor of domestic abuse? Or that less than 1 in 5 domestic abuse professionals have had specialist training to support visually impaired victims or survivors?
No, me neither. These are just two of the alarming and sobering statistics in the Unseen Report by the Vision Foundation(using research commissioned from SafeLives), that are incorporated into this new production. It’s being released to coincide with No More Week (3rd-9th March), an annual event that raises awareness of domestic abuse and sexual violence, and educates individuals and organisations about how to take a stand against it.
Therefore, having reviewed some previous Extant productions, I was kindly invited to listen to Unseen this week, in advance of its public release, in order to share my thoughts on it.
It’s been just over a year since I became a support worker for my friend Emily Davison, aka Fashioneyesta, to assist with her new role as a trainee journalist with Newsquest, primarily on the News Shopper site as well as their other south London titles. So I thought I’d give an update in this post and video on how it’s going, and an insight into the work I’m doing. I’m not sponsored to mention any of the products and services that I talk about here, all opinions are my own as usual, and I hope you enjoy!
Last year marked the 40th anniversary of the classic historical sitcom Blackadder, and a new Complete Collection Blu-ray was released in December to mark the milestone. I was too busy to look through it at the time, but I finally got around to it recently, so this is my extensive review of the series and all the bonus material.
All of the series and specials are set in different historical periods, so it always feels fresh and different. Each period is represented by exquisite costumes and beautiful sets, along with enjoyable variations of Howard Goodall’s theme tune. All of the episodes were written by Richard Curtis and Ben Elton, except for the first series where Richard had teamed up with Rowan instead. As great as Rowan is, bringing Ben on board really gave the series the shot in the arm it needed. And John Lloyd (best known for producing QI these days) was the producer for every episode except the pilot (which sadly isn’t in this set) and the millennium special.
Thanks to the sterling efforts of Richard Latto and his colleagues – who also compiled the excellent Young Ones Blu-ray in 2022 – the episodes have been remastered for this new Blu-ray edition, alongside all the old extras ported over from the previous Ultimate Edition DVD set (even though it’s not mentioned on the packaging), and a huge treasure trove of new bonus material as well. A lot of hard work has clearly gone into this collection, it’s very impressive.
So this is my review of the four series, the specials and the bonus material in the box set, as well as the pilot and documentary that were on Gold last year to celebrate the anniversary. As usual, I’m not sponsored or affiliated with anyone involved in the show or the Blu-ray production, and these are all my own opinions, so I hope you enjoy!
His passing also means that all of the main cast members of the show are no longer with us, making it a doubly sad milestone. To this day the series is still very popular and regularly repeated, because it was so well written and performed, and was always very funny. It’s no mean feat to maintain the quality over 80 episodes across 9 TV series, along with the radio adaptations, stage show, film and other appearances they did as well, but they made it look easy.
Thankfully, as far as the TV series is concerned, we have nearly all of the episodes to remember them by. There are just 3 episodes from Series 2 and a couple of Christmas sketches that are still missing, as the original tapes were wiped and no other film recordings have since been found.
Consequently, the Gold channel produced live action remakes of the three Series 2 episodes with a new cast in 2019, which were a faithful tribute, but nobody could ever be as good as the original actors (hence I’ve never watched the 2016 film, though I know Ian Lavender and Frank Williams made cameo appearances in it, as a Brigadier and the vicar).
So last year Gold recreated the missing episodes again, along with the Christmas sketches, but this time as animations, using the TV soundtracks or radio adaptations made by the original cast, depending on what still exists. I didn’t see them when they were broadcast last November, but I bought the DVD anyway, as I wanted copies of the episodes with the proper actors, and the extras looked good. So I finally got around to watching it recently, and this is my little review of it all.
Happy New Year! I hope you had a great Christmas, and that you have a prosperous year ahead as well.
This is the second, bumper part of my festive Favourites, as the first part covered the month of November, where I had a free Christmas meal, explored a trail of snowmen sculptures and saw some of London’s displays, among other activities.
Since then, in December and early January, I’ve met friends in both London and Devon, seen four incredible theatre shows, explored a museum I hadn’t been to before, had some lovely meals in restaurants, ate far too much food at home, celebrated the 60th anniversary of Doctor Who, watched lots of comedies on TV, and enjoyed some music as well.
So once again, as with every Christmas, this is a bumper post and video. One of the meals was a free PR invite for my journalist friend Emily to review, but as usual I’m not sponsored or affiliated to write anything here, and all opinions are my own. I hope you enjoy!
Well Eye Never 
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