Hello again, I hope you’ve had a good month. I know the news hasn’t been very cheerful lately, but other than sending love to the amazing people at the RNLI (who some people bizarrely get mixed up with the equally wonderful RNIB), and reassuring you that I’ve never used AI to produce my content and have no plans to do so, I’m not going to comment on recent events beyond that.
Instead, I’m going to share my usual mixture of entertainment that I’ve been enjoying, including TV shows, autobiographies, interviews and more, as well as an update on how things are going for my mother and I. None of it’s sponsored or gifted as usual, and I hope you find it interesting.
By the time the 1990s began, Freddie Mercury’s health was in steep decline due to AIDS, which he was diagnosed with in 1987. The band denied it whenever they were asked about it, and the press couldn’t get definitive proof to back up the suspicions they’d had for at least a couple of years. But Freddie’s increasingly gaunt appearance fuelled the rumours, especially when the band accepted the award for Outstanding Contribution To British Music at the Brit Awards in 1990, to celebrate their 20th anniversary in the music business. A clearly emotional Brian May delivered their acceptance speech, with Freddie only having the energy for a quick “Thank you, goodnight” at the end. It would turn out to be Freddie’s last ever appearance in public, giving the footage particular poignancy in hindsight.
Behind the scenes however, tucked away at Mountain Studios in Montreux to avoid the intrusions of the media, Queen were busy in 1989 and 1990. Freddie was determined to keep recording until it was no longer possible, and the band agreed to credit all the songs they produced to the group as a whole to avoid any arguments, which made things a lot easier.
The Innuendo album that came out of those sessions in February 1991 was an immediate hit, going straight into the charts at number 1 in the UK for 2 weeks, and remaining in the top 10 for a further fortnight. It stayed in the top 100 for 19 weeks altogether until 22 June 1991, dropping out 5 months before Freddie passed away on 24 November. It then returned to the charts for a further 16 consecutive weeks from early December.
As an album in itself, it’s a beautiful mix of genres and themes in the way that Queen were renowned for, harking back to their 70s sound at times. But given what we now know about what the band were going through, it’s quite moving too, as there are clear references to the fact that things were drawing to an end. And while Freddie’s condition meant he was too unwell to go on tour, he still found it in himself to deliver some absolutely incredible vocals. So the difficult circumstances certainly didn’t diminish the quality of their work, and it’s widely regarded as one of their best albums.
One big frustration, however, is that the music videos have never had a proper release on DVD or Blu-ray, including the last one that Freddie ever recorded. They had been featured on the Greatest Flix II & Greatest Flix III VHS tapes, and some of them appeared on the Japanese-only Greatest Karaoke Hits VHS & DVD releases with on-screen lyrics. But they were omitted from the Greatest Video Hits 2 DVD, and while fans clamoured for a third DVD of videos to tie up all the loose ends, it never materialised. Thankfully they are on Youtube, but I like to have my own personal DVDs and Blu-rays of their work where possible.
So with all that said, here’s the latest in my series of in-depth Queen album reviews, looking at each of the tracks on Innuendo, including alternate versions, music videos, live performances, covers and more where appropriate. I hope you enjoy!
P.S. If you’re wondering why I seem to have skipped an album after my recent post about A Kind Of Magic, it’s because I already reviewed the Collector’s Edition of The Miracle 4 years ago. I have added a few little extras to it, but I didn’t need to write a whole new post.
By the mid-1980s, it seemed as if Queen weren’t on top of their game any more. Their 1984 album The Works had sold well and they were still attracting big crowds to their shows, yet something was missing. The band were tired of the endless cycle of recording and touring – particularly Freddie, who went off to make his own solo album, Mr. Bad Guy – and they weren’t dominating the music scene in the way they used to.
It felt like the band had passed their peak, and they were just sailing along without making much of a splash. But then fate smiled upon them and presented them with the crest of a huge wave in the form of Live Aid in 1985. Their barnstorming 20-minute set of classic hits, regarded by many as the best rock set of all time, delighted existing fans and drew in many new followers who had little to no awareness of them. And most importantly, it re-lit the fire within the group, reminding them what they were capable of and why they were loved.
They capitalised on that success by releasing the song One Vision in November 1985, and then a couple more songs the following March, before blessing the world with their latest album, A Kind Of Magic, in June 1986, which also served as the soundtrack to Highlander. It deservedly shot straight into the UK charts at number 1, and stayed in the top 10 for 16 weeks, out of a total 30 weeks in the top 40.
It was their first chart-topping album since The Game in 1980 and Greatest Hits in 1981, and their final 3 studio albums with Freddie that followed all reached number 1 as well. This was therefore the start of their revival – although, as the Magic tour would be their last set of concerts together, it was also the beginning of the end in a sad way, which Freddie was privately aware of.
So to celebrate the 40th anniversary of this classic album and Freddie’s final ever concert, I’m going to dig through each of the tracks here, looking at music videos, alternate versions, live performances, covers and so on. And don’t forget you can find lots of videos in the playlists that I’ve linked to beneath the table of contents as well. I hope you enjoy!
Hello again, hope you’re doing well. I know it’s lovely to have sunshine in the summer, but this exceptional period of hot and dry weather is getting a bit much now isn’t it? If you or someone you know is affected by wildfires, droughts or the heat in general at the moment, I hope you’re staying safe and comfortable as best you can.
Naturally it’s been having an impact on my mother, so even though after my foot injury I’m feeling well enough to go out a bit more again, I’ve still had to stick around at home a lot of the time to make sure she’s ok. I’ll be giving a little update about my caring situation in this post.
So again there’s nothing for me to write about in London just yet, but I’m hopeful that will finally change during August, particularly with a booking I have for my birthday that I’m very much looking forward to.
However, there is plenty of entertainment for me to review from July, including a couple of crime dramas I discussed on Radio 4’s In Touch, along with some audio and TV comedies, and I’ve even tried getting back into playing video games. And, as ever, none of it’s sponsored or gifted. So I hope you enjoy!
Following the poor reception to Hot Space in 1982, which had focused too heavily on funk and disco sounds, Queen took the hint and brought more rock elements back into the mix for their 1984 album The Works. It also helped that they had taken a break in between those releases, focusing on solo work instead, so they came back refreshed as a group.
The result is a combination of 70s and 80s styles that is much more interesting, and it gave us huge hits like Radio Ga Ga, I Want To Break Free and Hammer To Fall, although the video for one of those songs didn’t go down well in America.
In the UK, the album jumped straight into the charts at number 2 for a week, and while it never managed to reach the top spot, it did return to the second place position 3 months later for a fortnight. It spent 57 consecutive weeks in the top 100 initially (25 of which were top 10), but then kept returning for a little while every so often. So in total it was in the chart for 94 weeks, which is the longest for any Queen album. It’s also their only album from which all of the songs were released as either A or B-side tracks on singles.
So for the latest in my series of Queen album reviews, here’s a look at each of the tracks, along with alternate versions, live performances, covers and more. I hope you enjoy!
Hello again, I hope you’re doing well. This has been another quiet month for me, which is a good thing, and there has been some positive progress too.
In terms of my home situation, there isn’t much to update you on. I’m still feeling good about the fact that I left my job to become a full-time carer for my mum 3 months ago, with a little bit of accessibility testing work on the side, because my days are now much less intensive. My time is still productive, as I have plenty of tasks I can do and lots of things I enjoy to keep me occupied, but I can also spread things out and relax much more easily. We’ve also survived another uncomfortable heatwave, so we’re quite relieved that’s over, although we know there are more on the way this summer, and there could be worse to come in the decades ahead.
It also feels like my injury has almost fully healed now, touch wood, as I’m not getting pain in the ball of my foot any more. But I know I need to be careful, given how long it took to go away, as it’s probably still repairing and strengthening itself, and I’m anxious not to trigger the issue again if I can help it. So I’m currently taking some short local strolls to ease myself back into things, and I’m seeing if I can get better trainers and socks as well. It’s all a bit trial and error really, and my foot is still giving me occasional gentle warnings not to push things too far too quickly, as if the issue is still a bit borderline. The hot weather probably hasn’t helped either. But I’m glad I’m a lot better now.
All of which means there are no major outings to mention again this month, which is a shame as I had a theatre show booked that I really wanted to see, but never mind. I still have other things arranged in the months ahead, one of which is a birthday surprise from a close friend, so that’ll be fun.
I can, however, talk about things that I’ve been watching and listening to as usual. In particular, there are 3 new Blu-rays that I’ve bought, so I’ve devoted most of my viewing time to those. But there are other things that I’ve been watching and listening to as well, in terms of comedy and music. So there’s a nice variety for you to look through here, none of which is sponsored or gifted, and I hope you enjoy!
We’re really Under Pressure from this latest heatwave, so it would help if someone could take Action This Day to Put Out The Fire in order for me to be a Cool Cat again. Then I can start Calling All Girls to pass on The Words Of Love and emphasise my Body Language as a Dancer. I’ll prove that I’m a Soul Brother who knows that Life Is Real, I have the Staying Power and I won’t take any Back Chat.
Yes, that’s right. For this next post in my series of Queen reviews, we come to an album that proved to be quite controversial – Hot Space. It was hardly unusual for Queen to be experimental, but this foray into funk, disco and R&B, with a heavy focus on synth sounds (although there were still rock elements as well), was too much of a change from their traditional style. Even within the band there were arguments as they put it together.
The reaction from their fanbase wasn’t lost on them either, as Freddie remarked during a show in Milton Keynes: “Now, most of you know that we’ve got some new sounds out in the last week. And for what it’s worth, we’re gonna do a few songs in the funk/black category – whatever you call it. That doesn’t mean we’ve lost our rock ‘n’ roll feel, ok? I mean, it’s only a bloody record, people get so excited about these things. We just want to try out a few sounds.”
It is fair to say that Hot Space is their weakest studio album as a result (if we don’t count the soundtrack score for Flash Gordon that preceded it). However, it’s not awful either, and there is some good stuff on it, especially Life Is Real, Las Palabras De Amor and Under Pressure, as they’re closer to Queen’s usual style. It also peaked at number 4 in the UK chart, altogether spending 3 weeks in the top 10 and 13 weeks in the top 40, which is fairly good. And when they performed some of the tracks live, they were interpreted in a more heavy rock style that made them sound better, because of the instruments the band used on stage.
So here’s my personal review of each of the tracks, along with alternate versions, live performances, covers and more. I hope you enjoy!
However, I have very little experience of the Classic era. I was still in my childhood for most of the Wilderness Years, when the programme was off air between 1989 and 2005, so it wasn’t a big part of my life growing up.
I did of course become aware of the show, particularly via a couple of charity specials that were broadcast on TV in the 90s, because it is a British institution that is deeply embedded in popular culture. It’s impossible to live here in the UK and not know about it. But I was too young to care. It was just one of those many old programmes that the adults used to watch, and it had long gone. And since getting into the Modern era, I’ve only seen occasional stories from the old days, either in their original form or via modern re-edits.
During its 16-year absence, however, there was an attempt to bring the show back in 1996, via a feature-length American TV pilot simply known as Doctor Who: The Movie, featuring Paul McGann as the 8th Doctor. A lot of fans in the UK liked it, but there wasn’t enough interest in the States to resurrect the show fully.
So it completely passed me by at the time. But I did eventually see it many years later, on Netflix in December 2013, when it was available there alongside a tiny selection of Classic era episodes that I also watched. I had taken the opportunity to check out those stories because of the 50th anniversary of the show – which means my first experience of Paul McGann had actually been his Night Of The Doctor mini-episode the previous month, showing his regeneration into the War Doctor. And as it happens I’ve recently seen that story again, having just rewatched the 50th anniversary specials during May. He also later made a cameo in The Power Of The Doctor in 2022 that I enjoyed.
12½ years on from my one and only viewing, therefore, I have no clear recollection of the film or whether I liked it. So buying the new 30th anniversary Blu-ray is a bit of a gamble for me, but a fascinating one too, as it’s my first proper deep dive into any Doctor Who story before 2005. It feels like I’m watching the movie for the first time again, and all of the special features (apart from the trailer for this release) are completely new to me, as I’ve never owned any previous editions.
So join me as I experience the movie in all its remastered glory and explore all the bonus material. I’ve also put together a playlist of highlights, music tracks, interviews, convention appearances, etc that you can look through too. I hope you enjoy!
Former doctor Harry Hill has been on the comedy scene for over 30 years, and is renowned for his surreal mind and daft antics, including the use of silly stories, observational humour, slapstick, music, props, puppets and other quirky characters, often with cultural references, running gags and callbacks woven throughout his performances. Yet beneath all the nonsense there is a lot of structure, creativity and cleverness as well. So sometimes you’ll find him mocking TV shows, celebrities, human behaviour, language, the world around us, and so on, while at other times he’s just delightfully absurd for the sheer fun of it.
He recently had a great new stand-up special broadcast on Sky this month. So because I enjoyed that, I thought I would revisit all of his previous specials as well, just as I’ve done for several other comedians in recent years. And while I’m at it, I figured I would go through his TV Burp DVDs that I own too, because I loved that programme. Plus I’ll briefly mention some of his other work. I’ve also put together a playlist with a wide selection of clips, music, interviews and more, including videos from his own Youtube channel. So I hope you enjoy looking through it all!
Yes, I know, we already celebrated Doctor’s Who’s 60th anniversary a few years ago. It’s all a bit wibbly wobbly timey wimey. But this epic post for the bank holiday weekend is part of my ongoing series of reviews for all the series in the modern era, as I’ve been rewatching them in order. Recently I wrote about Series 7 (Part 1 & Part 2), and the cliffhanger at the end of it directly leads into the 50th anniversary specials, so naturally I wanted to move straight on to those.
The 2013 specials mark the end of Matt Smith’s stellar reign as the 11th Doctor. Some people had doubts about him when he took over from David Tennant – who also appears in the anniversary story, along with John Hurt as the War Doctor – but he really made the role his own, and showed he was capable of everything from chirpy humour to dark intensity. So he’s been very much missed ever since the brilliant send-off he had in these specials.
Meanwhile Jenna Coleman (who dropped the “Louise” from her name from this point onwards) continues to be a wonderful companion as Clara Oswald, with the mystery of why she’s the ‘Impossible Girl’ having been resolved at the end of Series 7. And there’s the welcome return of Billie Piper as a version of Rose that we’ve never seen before.
The score by Murray Gold is sublime as usual, so I’ll be picking out some of my favourite pieces from his soundtrack album in these reviews. And of course everything was overseen by showrunner Steven Moffat, who somehow managed to fit it all in alongside Series 7 of Doctor Who and Series 3 of Sherlock. Plus there was a biographical drama about the origins of the show, written by Mark Gatiss and featuring music by Edmund Butt, that I’ll also be reviewing in this post.
Altogether there’s a lot to mention from the Blu-ray set, along with additional stuff that wasn’t included in that release. So I hope you enjoy celebrating this key milestone in the show’s history with me.
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