Science Fiction, Triple Feature – Part 2 – Rocky Horror Soundtracks

Hot patootie, bless my soul, I really love that rock and roll! The legendary songs from The Rocky Horror Show, including the legendary Time Warp, are a crucial part of its joy and appeal, as they’re catchy, funny and occasionally moving. Richard O’Brien actually wrote some of the songs before he came up with the idea of Rocky Horror, and found that he was able to slot some of them in.

So as the second part of my Halloween trilogy – after discussing the film and related productions, and before I talk about my recent experience at the live show – I thought I’d do some brief reviews of the relevant albums and songs I have in my music collection, and a few of the other recordings I’m aware of, as it’s always interesting to hear different interpretations. I certainly haven’t mentioned all of the music that has ever been released in relation to Rocky Horror, but I have covered most of the commercially available releases. So I hope you enjoy!

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Science Fiction, Triple Feature – Part 1 – Rocky Horror Films & Productions

There’s a light in the darkness of everybody’s life. And during the pandemic, one such beacon for me has been the impending return of musical theatre. So when things finally did open up again, I was delighted to see an audio described performance had become available for a show that I’ve been eager to see for ages. And so last weekend I finally saw The Rocky Horror Show live in person. Suffice to say, it was well worth the wait!

I’ll tell you all about that on Halloween itself. But to build up to that, and to turn this into a special Halloween trilogy, I thought I would take a deep dive into my love of Rocky Horror first, by talking about the film, stage productions and other remakes in this post, and then tomorrow I’ll share my Rocky Horror music collection. I was going through all of that stuff in preparation for seeing the live show anyway – not that I needed any excuse to enjoy it all yet again in the first place – so I figured I may as well write about it too. So allow me to take you on a strange journey, and I hope you enjoy!

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Queen At 50 Reviews – News Of The World – Part 1

1977 could have been the year that Queen’s reign came to an end. With punk rock very much in the ascendancy, having gained traction over the previous few years, there was a greater appetite for raw power and simplicity in rock music, rather than elaborate and fancy progressive rock. And Queen’s last album, A Day At The Races, despite being an excellent collection of songs, hadn’t sold quite as well as its behemoth predecessor A Night At The Opera, with some critics and fans feeling that it was more of the same without any notable improvement. So it was going to seem too repetitive if they did the same kind of thing yet again.

The band were perfectly happy to adapt and take on the challenge though, and indeed were already keen to try something different from the multi-layered, complex productions they felt they’d done enough of by this point anyway. So even without the emerging competition from the punk scene, it was already the evolutionary path they were heading down.

As a result, News Of The World marked a shift towards a purer hard rock sound, and took just 2 months to record (compared to 5 for A Day At The Races). The tracks still had some beautifully arranged harmonies and instrumentation thrown in, but not as lavishly and prominently as before. There was also a change in how evenly the writing credits were distributed, with 4 tracks now written by Brian, just 3 by Freddie, and an increase to 2 each for Roger and John. And the band produced the album themselves, with assistance from engineer Mike Stone, now they had the experience and confidence to do so themselves.

It all worked out very well, resulting in another great selection of songs. And so, as you’ll be accustomed to by now if you’ve followed my posts to date, this is my personal review of each of the tracks, including a look at alternate versions, music videos, live performances, covers, etc, along with other bits and pieces that I’m aware of.

In this first post, in addition to more general discussion about the album, I’ll be focusing specifically on the first 2 tracks – We Will Rock You & We Are The Champions – as they’ve had such a colossal cultural impact and there’s a lot to discuss in relation to them. In Part 2 I will then move on to the other great tracks on the album. So I hope you enjoy!

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Queen At 50 Reviews – A Day At The Races – Part 2

Happy Japanese Queen Day! Following on from the wonderful variety of tracks on Side 1 that I reviewed previously, Side 2 of A Day At The Races continues to entertain with a mixture of offerings. It starts off with one of Queen’s most enduring and hugely popular hits, before taking us on a journey that ends up in Japan at the end of the album, which has important relevance to today, as explained for that particular track. So there’s plenty to cover as usual, and I hope you enjoy this latest set of reviews!

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Queen At 50 Reviews – A Day At The Races – Part 1

Happy 50th Anniversary to Queen! Although they first performed under that name on 18 July 1970, it wasn’t until John Deacon joined on 1 March 1971 that the group had its final, official line-up, so the latter date is more appropriate. And as they’re my favourite band of all time, I started doing a special Queen At 50 series last year, reviewing each of their albums and songs in obsessive depth and excessive detail. So, if you haven’t already, do check out my first post about their debut album for a longer explanation of why I’m so into them.

For this post I’m moving on to their 5th album. The musical majesty and stellar success of A Night At The Opera was always going to be a tough act to follow, and impossible to beat. But Queen were up for the challenge, and set about making A Day At The Races between July and November 1976. They produced it entirely by themselves for the first time, now that they had sufficient experience and were keen to give it a go, instead of employing Roy Thomas Baker like they had before. They continued to use engineer Mike Stone though.

The album was designed to be a companion piece to its predecessor with a similar variety of music. So it was again named after a Marx Brothers film, and Groucho Marx sent a note to congratulate them on their success and their “sage choice of album titles”. It also had a similar cover design to the previous album, with the colourful Queen crest on the front, but everything was on a black background instead of white this time. Brian later expressed a wish that both Opera and Races had been released together, as “the material for both of them was written at the same time, so I regard the two albums as completely parallel.”

The band are also credited in fun ways in the sleeve notes – in addition to the usual mentions of vocals, piano, guitar, etc, Freddie is the “Choir Meister” and contributes “tantrums”, Brian is the “Leader of the Orchestra”, and Roger provides “Pandemonium”. John is merely credited as playing Fender Bass and doesn’t get anything extra, which is reflective of his nature as the quiet one in the group.

A Day At The Races 2

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Queen At 50 Reviews – Bohemian Rhapsody Covers

As discussed in depth in my previous post, Queen’s Bohemian Rhapsody is an enduring classic that continues to increase in popularity 45 years on, as new generations of fans are introduced to it, most recently thanks to the movie of the same name and Queen’s tours with Adam Lambert. Freddie’s masterpiece, like his spirit and all of his music, will never die or be forgotten.

It is of no surprise, therefore, that it’s been covered in a myriad of styles by thousands of people, either tackling the full song or focusing on selected sections of it, despite the fact that it’s very brave of anyone to take on a song of such complexity that is so famous and well-loved.

In my previous reviews of Queen’s albums, I’ve always included cover versions as part of those posts. But such is the significance of Bo Rhap and the huge number of covers it’s had, coupled with the fact that it’s always nice to do some kind of special post at Christmas, that I’ve decided to give these interpretations of the track a space of their own.

Of course, it goes without saying that nobody can come close to Queen when reproducing any of their songs, especially this one. And there are plenty of covers out there that range from the decidedly average and uninspiring to the downright bizarre and awful. But there are also lots of beautifully arranged, excellently performed and cleverly interpreted versions too.

So in this post I wanted to share a long list of cover versions that I’ve found, divided into rough subsections to keep similar types together. I’ve compiled them into a big Youtube playlist as well (ending with a few minor covers of the album’s closing track, God Save The Queen).

Some are great in my view, some are not, and the rest are somewhere in between. But everyone’s opinions will differ. All I’ve tried to do is present a wide variety that I feel are of interest and worth exploring out of curiosity. It’s not every cover that exists by any means, but I feel it’s a very comprehensive and fair representation of what’s out there, listing most of the major versions and lots of hidden gems.

So buckle in for a long selection, and see which versions you like best!

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Queen At 50 Reviews – A Night At The Opera – Part 3

This is the final instalment of my deep dive into Queen’s epic 1975 LP, following on from Part 1 and Part 2. There is also a bonus post about Bohemian Rhapsody cover versions, but this post explores the rest of the main material.

The album of course finishes in style, courtesy of their biggest hit of all time, followed by a patriotic instrumental at the end. So let’s get straight on with it, as there’s plenty to discuss. I hope you enjoy!

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Queen At 50 Reviews – A Night At The Opera – Part 2

The first side of Queen’s hugely successful and perennially popular 1975 album, which I reviewed last week, is in itself quite a stunning collection of assorted treasures.

But those tracks were also paving the way for even more incredible delights on the flip side, for which there is a great deal to talk about. So much so, in fact, that I’ve had to split my reviews for the second side into 2 parts.

In this post, therefore, I’m going to take a close look at the next 3 tracks, then I’ll conclude the album in Part 3. The first track in this post is their longest song and one of their most complex, while the second is their most popular sing-along acoustic number that’s spawned a ton of live performances and covers, and the third is a delightful Dixieland tune. So I hope you enjoy!

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October 2020 Favourites

Here we go again. It’s time for Lockdown 2: Electric Avenue, so the cases don’t get higher. It’s not quite as severe as the first one, with education settings remaining open in particular, but there are still very tight restrictions nonetheless. And it had been inevitable for some time. The use of different ‘tiers’ to set regional rules was keeping the infection rate lower than it otherwise would have been, but it wasn’t quite doing enough to drive cases down. So we didn’t have a choice, sadly, as many other countries have found.

There are still lots of reasons to be optimistic, thanks to the ever-improving knowledge about the virus, the better treatments now available, the developments of mass testing, and the very promising results of vaccine trials. But right now we have to be vigilant to get through the winter safely, and it’s important to take care of ourselves and look after our mental health during this time.

I feel relatively calm about it thankfully, as I’m fortunate to have a steady job, priority grocery deliveries, family support, regular contact with friends, blogging projects, local walks, entertainment, etc to help pass the time. And we’ve pre-ordered our meat for Christmas from a farm we like, so that gives us peace of mind too. I still greatly miss seeing friends in person and visiting interesting places of course, nobody wants this. But right now my mother and I feel safe and comfortable, which is the important thing. We’re more prepared than the first time around, when the uncertainty and panic buying made it really difficult to begin with. So we know we can get through it, having done it once already.

But for many other people it’s going to be a lot harder, due to physical and mental health issues, loneliness, loss of employment and business, financial worries, family and domestic problems, the loss of loved ones from the virus or other causes, and so on. So please do help others if you can, either by direct support or by charitable donations, because every little bit helps. And do also sign the petition by Mind calling on the Government to invest in a Winter Mental Health Support Package.

And if you’re in a position where you’re struggling, then my thoughts are with you, and please know that you’re not alone. And don’t be afraid to seek help or support, there’s absolutely no shame in that. If you’re unable or too anxious to talk to someone you know, then there’s lots of advice and support available from the Samaritans, counsellors, mental health charities, other charities relevant to disabilities and health conditions, support groups on social media, etc. I know it’s easier said than done – I’ve had to confide in friends about difficult things in the past, most of us have to at some point in our lives. But having any kind of support network, even if it’s just one person you can reach out and talk to when you need it, is a massive lifeline. Use it.

And to my American friends, who are going through a stressful period with their election right now, we’re all thinking of you too. You’ve had enough to deal with in 2020 on top of the pandemic as it is, without this in the mix as well. At the time of publishing this post, the outcome is still not clear, but I sincerely hope that common sense and decency prevails in the end. Stay safe out there.

But anyway, with all that said and done, let’s get into my latest monthly update, which is what you came here for in the first place. In this post and video for October there’s plenty to mention as usual, including my latest appearance on national radio, my walks out and about, and the various bits of entertainment I’ve been enjoying. None of it’s sponsored or gifted as usual, and I hope you find it interesting!

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Queen At 50 Reviews – Live Around The World with Adam Lambert

Over the last few months, because they’re my favourite band of all time, I’ve started posting deep-dive reviews of Queen’s original studio albums, to celebrate their 50th anniversary (so far covering their debut album, Queen II & Sheer Heart Attack, with the rest to follow in the coming months). There’s such a huge legacy of amazing music that it’s a joy digging through it all yet again (as if I need an excuse), making lots of fun discoveries along the way.

However, it’s also important to acknowledge their current work, as original members Brian May and Roger Taylor are still keeping the Queen machine alive today, with Adam Lambert as their new frontman. The Queen + Adam Lambert (Q+AL) collaboration has been running for nearly 10 years, after they started performing shows in 2011.

Yet in all that time, they’ve never released any albums or DVDs (apart from a Japanese exclusive live release in 2016). So if, like me, you haven’t attended any of their gigs, then you’ve been limited to watching fan footage online or catching their TV appearances if you wanted to experience them in action.

But now, having been unable to tour for most of this year for obvious reasons, they’ve just released a compilation of live performances called Live Around The Worldon CD, DVD, Blu-ray and Vinyl, with additional merchandise available too.

It stormed to number 1 in the UK album chart in its first week, making it Queen’s 10th album to hit the top spot, 25 years since the previous release that did so (Made In Heaven), and 45 years since their first number 1 album (A Night At The Opera). They’ve now jumped ahead of Bob Dylan to reach joint 6th place in the list of artists with the most number 1 albums, level with Michael Jackson, Rod Stewart and Eminem. It’s also Adam Lambert’s first number 1 in the UK, and it’s reached number 1 in Australia as well.

So I wanted to review it and give you my thoughts. And just to be clear, this isn’t sponsored or gifted – I bought this myself and all opinions are my own. So I hope you enjoy!

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