But there were so many things to see on that theme alone that I had to split them up. So here’s another batch of beautiful and interesting items, where you can click on the names to read more about them and on the photos to zoom in. Enjoy!
Welcome to the third part of my look back at the exhibition Freddie Mercury: A World Of His Own, which took place at Sotheby’s in London in August 2023, prior to the big auction in September that year. Last week I gave an introduction to the auctions and looked at Freddie’s love of Japanese art and fashion and other items from that country, and now for this post we’re going to start looking around his famous home in London.
Garden Lodge was the 7-bedroom house in Kensington where Freddie resided during the 1980s until his death in 1991. He really made it his own, purposefully decorating and furnishing each room in its own unique style. Reading about it in the accompanying book, with the photos used to illustrate it, emphasises how utterly exquisite it was.
Back in 1980 he bought it for £500,000 in cash (over £2 million in today’s money), as he was keen to snap it up after his first visit. But when it went back on the market in February 2024, estate agent Knight Frank was seeking offers of over £30 million! It’s not clear if it’s been sold or for how much since then.
The At Home auction didn’t fetch quite that much, but the huge myriad of items, which had to be spread across multiple gallery rooms in Sotheby’s, altogether fetched a massive £5,314,823!
So I’m going to share a wide selection of furniture and accessories from Garden Lodge that I saw in the galleries, which I’m spreading over 2 posts as there’s so much of it. Most of these items are from the At Home auction, but there are a few from the other auctions mixed in.
As before, you can click on the images to enlarge them and the item names to see the Sotheby’s descriptions. I hope you enjoy!
Yesterday I began sharing photos from my visit to the Sotheby’s exhibition Freddie Mercury: A World Of His Own back in 2023, which was a wonderful experience and a great privilege. It’s taken all this time to go through my pictures, figure out what most of the items are and what they sold for, and then organise it all here, but I managed it in the end and I’m excited to share it with you. You can click on the photos to enlarge them, and on the item names to see their full descriptions on the Sotheby’s website.
In the first part we looked at Freddie’s love of Japanese art and fashion, so now I’m going to share a myriad of other items from that fine country that he owned and treasured, including vases, tea sets, ewers, incense burners, presentation boxes, books, dolls and more.
Most of the items were sold in the auction In Love With Japan, but some were included in the other auctions as well. In any case, they further demonstrate just how deep Freddie’s fascination went. And you can’t blame him. So I hope you enjoy this wide selection.
Over two years ago, back in September 2023, Sotheby’s auctioned off nearly 35,000 items (in roughly 1,500 lots) that once belonged to the legendary Queen frontman Freddie Mercury, from his home at Garden Lodge in Kensington. The event was called Freddie Mercury: A World Of His Own, and included everything from fashion to furniture, artworks to awards, ornaments to instruments, printed books to handwritten lyrics, and much more, proving that he was quite the avid collector to say the least! There were 6 auctions spread over a week, with the total sales coming to a whopping £39,936,046!
Before the big sell-off, however, Sotheby’s put most of the items on public display for a month, and I was one of the lucky 140,000 fans who went along to check it out. I certainly couldn’t afford to bid on the auctions, so this was as close as I could ever possibly get to it all. And it was an absolutely incredible privilege – a kind of magic if you will – as Freddie had such exquisite taste and attention to detail.
I came away with some lovely souvenirs as well, including a massive album of photos that I took, a large tote bag that I bought in the shop and have made good use of since, and the beautiful limited edition hardback book I ordered.
At the time I briefly mentioned the exhibition in my 40th birthday roundup, as going to see it was one of my big treats for myself. But it was always my desire to go through the photos in my collection properly, by finding details about the items and how much they sold for, using the Sotheby’s website and the accompanying book, before sharing as much of it here on my blog as I could. So I’ve been working on it bit by bit when time allows, and I finally finished going through it all this Christmas. It’s been a truly fascinating project for me.
So to mark the 50th anniversary of Bohemian Rhapsody in late 2025, and the 10th anniversary of my blog in early 2026, it gives me great pleasure to present hundreds of my photos of items in the exhibition – each of which you can click on to enlarge – along with links to all the details on the Sotheby’s website. You can see even more items on their site that I haven’t included of course, and it’s easy to create a free account if you want to see the final sale prices.
Neither Sotheby’s nor Queen, nor anyone else connected with the auctions or Freddie, have been involved with this, I’m just a big fan. While I could have just picked a few favourite items, I wanted to do the exhibition and Freddie justice, especially as many of these pieces may never be seen in public again.
The exhibition was split into 4 main sections – Japan, Home, Crazy Little Things and On Stage – and there were 6 auctions along the same lines (plus a second Crazy auction and an Evening Sale for the most significant items). So my posts will generally reflect that as well. Within each section of the exhibition, most items were from the auction of the same name, but there were often items from the Evening Sale or the other auctions mixed in as well, because they fitted the theme.
So here’s the first part of my extensive look back at the exhibition, with an overview of what it was like to visit, and then a closer look at Freddie’s love of Japanese art and fashion. I hope you enjoy!
As long-term readers of my blog will know, Queen are my favourite band of all time. And they’ve just brought out a new box set of their 1973 debut album with remixed versions of the tracks and lots of extra material, some of it never before released. So naturally I’ve had to check it out.
The purpose of this new post is to give my reactions to the tracks in the new set, and compare them with the original versions I already have where applicable. I’ve also updated my Queen I playlist on Youtube with the new tracks, while still retaining the previous 2011 remasters for comparison.
The Super Deluxe edition of this new release has 6 CDs and 1 LP, plus a 108-page book, a fold-out poster and 4 photo prints. There’s also a smaller 2-disc edition with just the remixed album and sessions material, along with other variations and merchandise, even including editions that have a cassette tape.
However, while I did buy the physical version of their Miracle box set a couple of years ago, I’ve bought the digital download of this new Queen I set instead, not least because it’s a hell of a lot cheaper at £17.99 compared to £149.99 for the box! It still has the contents of all 6 discs anyway, so I’m not missing anything. Furthermore, I consider this to be an alternate remix of the album rather than a replacement, a lot of the bonus material duplicates tracks from previous releases I already own, and I have no use for the vinyl (it is frustrating when artists don’t produce alternate vinyl-free versions of their box sets, as we don’t all want it). So I can’t justify the rip-off price tag on the physical set. I’m sure the book, poster and prints are lovely, but I can live without them.
I bought this new edition myself, so it’s not sponsored by Queen or Sony or anyone else, and all opinions are my own. So let’s get on with it, and I hope you enjoy!
Back in the first lockdown in 2020 I started doing an occasional series of reviews celebrating Queen’s 50th anniversary by doing very in-depth reviews of some of their albums. The posts have been very sporadic due to all sorts of other things keeping me busy, as well as the level of detail they contain, but it’s always been my intention to continue the series when time permits.
And now I have the opportunity to do a Christmas special, as the band recently unveiled a new edition of their 1989 album The Miracle. When it was first announced I eagerly pre-ordered the full Super Deluxe Collector’s Edition & Press Pack as an early festive treat for myself, so I thought I’d do a detailed review now that I’ve had time to go through it and savour its contents.
The set was retailing at £169.99 (plus shipping), but I took advantage of a 10% discount code that I received from their store for my birthday a few months ago. So I was charged £127.99 for the 8-disc box set, £25 for the press pack and £6.26 shipping, making £159.25 in total. And that’s not bad at all, considering how much you get.
There are cheaper editions too though, depending on what you can afford, including the 8-disc set without the press kit, a 2-disc edition consisting of the album and the sessions, and a download version that covers all 4 music CDs, plus there are related items of merchandise. So there’s something for everyone.
I’ve made an unboxing video to go with this post, where you can see my initial reactions to the contents of the set, and there’s an unboxing video by Brian May as well. Queen have also posted a couple of short documentary features about The Miracle to coincide with its re-release, which you can see here and here.
So in this post I want to review the set in full, to give my thoughts on all the music tracks and videos, the memorabilia, the book and the radio interviews – which means there’s a lot to cover here, and I hope you enjoy it!
Following News Of The World, an album of raw energy that spawned the mega-hits We Will Rock You & We Are The Champions, on top of their previous successes, was always going to be a very tall order for Queen. But, as always, they weren’t deterred by that, and opted to explore a variety of musical styles on their 7th album (though not including jazz itself as the title might suggest). And it didn’t do them any harm, as the LP peaked at Number 2 in the UK charts (held off the top spot by the Grease soundtrack), and Number 6 on the US Billboard Chart, going Platinum in both countries.
Overall the album perhaps isn’t as stunning as some of their previous work, but only because of the incredibly high bar they’d set themselves, and it’s still really good in its own right. For a start, it gave us their well-loved songs Fat Bottomed Girls, Bicycle Race and Don’t Stop Me Now, a trio that makes it worth the price of entry alone (although surprisingly the latter wasn’t a big hit to begin with). And the other ten tracks are an enjoyable mixture too, with some relatively obscure gems amongst them as usual.
The heavy criticism it received in the music press at the time was certainly unwarranted, with the band even being described as “fascist” and “creeps” with “polluting ideas” by Rolling Stone reviewer Dave Marsh. But it was often fashionable for music critics to bash the band, and reviewers tended to be thrown off guard whenever Queen tried something different (which was always), not knowing how to react to it and simply not ‘getting it’. Queen’s humour and sense of fun often went over journalists’ heads.
And so, as the latest instalment in my series of Queen reviews, this post is my personal run-through of all the tracks on the Jazz album, including the usual mixture of alternate versions, live performances, covers and more. I hope you enjoy!
1977 could have been the year that Queen’s reign came to an end. With punk rock very much in the ascendancy, having gained traction over the previous few years, there was a greater appetite for raw power and simplicity in rock music, rather than elaborate and fancy progressive rock. And Queen’s last album, A Day At The Races, despite being an excellent collection of songs, hadn’t sold quite as well as its behemoth predecessor A Night At The Opera, with some critics and fans feeling that it wastwo versions more of the same without any notable improvement. So it was going to seem too repetitive if they did the same kind of thing yet again.
The band were perfectly happy to adapt and take on the challenge though, and indeed were already keen to try something different from the multi-layered, complex productions they felt they’d done enough of by this point anyway. So even without the emerging competition from the punk scene, it was already the evolutionary path they were heading down.
As a result, News Of The World marked a shift towards a purer hard rock sound, and took just 2 months to record (compared to 5 for A Day At The Races). The tracks still had some beautifully arranged harmonies and instrumentation thrown in, but not as lavishly and prominently as before. There was also a change in how evenly the writing credits were distributed, with 4 tracks now written by Brian, just 3 by Freddie, and an increase to 2 each for Roger and John. And the band produced the album themselves, with assistance from engineer Mike Stone, now they had the experience and confidence to do so themselves.
It all worked out very well, resulting in another great selection of songs. And so, as you’ll be accustomed to by now if you’ve followed my Queen reviews to date, this is my personal review of each of the tracks, including a look at alternate versions, music videos, live performances, covers, etc, along with other bits and pieces that I’m aware of. I hope you enjoy!
The time has come for me to review Queen’s 5th album, as part of my ongoing series of reviews. The musical majesty and stellar success of A Night At The Opera was always going to be a tough act to follow, and impossible to beat. But Queen were up for the challenge, and set about making A Day At The Races between July and November 1976. They produced it entirely by themselves for the first time, now that they had sufficient experience and were keen to give it a go, instead of employing Roy Thomas Baker like they had before. They continued to use engineer Mike Stone though.
The album was designed to be a companion piece to its predecessor with a similar variety of music. So it was again named after a Marx Brothers film, and Groucho Marx sent a note to congratulate them on their success and their “sage choice of album titles”. It also had a similar cover design to the previous album, with the colourful Queen crest on the front, but everything was on a black background instead of white this time. Brian later expressed a wish that both Opera and Races had been released together, as “the material for both of them was written at the same time, so I regard the two albums as completely parallel.”
The band are also credited in fun ways in the sleeve notes – in addition to the usual mentions of vocals, piano, guitar, etc, Freddie is the “Choir Meister” and contributes “tantrums”, Brian is the “Leader of the Orchestra”, and Roger provides “Pandemonium”. John is merely credited as playing Fender Bass and doesn’t get anything extra, which is reflective of his nature as the quiet one in the group.
My intention was to find most of the locations listed on that website over a series of walks – i.e. those that still exist that I can get to reasonably easily. However, due to the weather and the toughening up of Covid restrictions, I haven’t yet had a safe chance to go hunting for any more.
So these are the locations I’ve found so far, including some key places where the band lived, recorded and performed. As well as the website mentioned above, further notes and photos about these locations can be found on Queen Concerts, Mercury Paradise and the map on Shane’s Queen Site. I hope you enjoy walking in Queen’s footsteps with me!
Well Eye Never 
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