Welcome to my first Favourites post and video for this year! As I had a very busy Christmas that lasted until mid-January, it made sense to combine the latter half of that month with February for this roundup.
Recent weeks have been quite relaxed compared to the festive period, as hoped and expected, but there’s still quite a variety of bits and pieces to mention. These include an audio described gallery tour, a free meal, a special scenic view of the city, an important new audio play, things I’ve been watching that have been recommended by friends, and other entertainment I’ve enjoyed. Some of these items are PR-related, as indicated when appropriate, but all opinions are my own regardless. So I hope you enjoy!
Unseen is an important and powerful audio drama about the impact of domestic abuse on visually impaired people. The free 45-minute production has been created by Extant, the UK’s leading performing arts company of blind and visually impaired actors and practitioners, and is inspired by the findings in the Unseen Report from the Vision Foundation.
I recently reviewed the dramain advance of its online premiere on Monday 4th March. But in addition to that, I was also invited to send in some questions to members of the team to find out more about how it was made.
So I’m delighted to share some interesting insights from sound designer Ian Rattray, director Ben Wilson and actor Georgie Morrell. Many thanks to all of them for putting aside some of their valuable time to answer my questions!
Content Warning: Domestic abuse. There is support informationat the end. I had early access to Unseen for review purposes, but all opinions are my own.
It can be easy to take dramas for granted, as just another form of entertainment. But recently we’ve all been reminded just how emotionally powerful the medium can be, for raising awareness and generating action around serious and devastating real-life issues. The Mr Bates series about the Post Office scandal, and Breathtaking about the NHS during the pandemic, pulled back the curtain to reveal shocking details about events that many people had little to no knowledge of.
The stories were told in a way that was realistic, relatable and accessible, without being sensationalised, so they were compelling and stuck in the mind very effectively.
Now a new audio drama by Extant, the UK’s leading performing arts company of blind and visually impaired actors and practitioners, takes a similar approach to another very difficult issue, in a uniquely creative way.
Unseen, a 45-minute drama which will be available to stream for free on Monday 4th March, shines a light on one of society’s most hidden and disturbing crimes – domestic abuse against visually impaired people (the lessons from which are applicable and adaptable to victims of all disabilities).
Did you know, for example, that at least 1 in 12 visually impaired people in the UK (around 188,000) are a victim or survivor of domestic abuse? Or that less than 1 in 5 domestic abuse professionals have had specialist training to support visually impaired victims or survivors?
No, me neither. These are just two of the alarming and sobering statistics in the Unseen Report by the Vision Foundation(using research commissioned from SafeLives), that are incorporated into this new production. It’s being released to coincide with No More Week (3rd-9th March), an annual event that raises awareness of domestic abuse and sexual violence, and educates individuals and organisations about how to take a stand against it.
Therefore, having reviewed some previous Extant productions, I was kindly invited to listen to Unseen this week, in advance of its public release, in order to share my thoughts on it.
One of the things I’ve been able to demonstrate in this blog is that having a visual impairment doesn’t prevent me from having a good time and being successful in life. It took me a while to learn and appreciate that when I was a shy youngster, but over time I learned that I can have hobbies and skills just like anyone else, and make the most of them. In fact my talents have directly led to an exciting new opportunity very recently, which I’ll get to in another post soon.
Consequently, it’s proven to be fun and rewarding to ignore convention and challenge misconceptions, by doing things that are different or unexpected. In all our minds it’s easy to assume that certain things can only occur at certain times, or in certain places, or be done by certain people, when they can actually happen anytime or anywhere, and anyone is capable of doing it.
So with that in mind – why not go to a pantomime in the spring? Why should we wait until the festive season to lose ourselves in the joy that such a production brings? Especially when there’s an exciting, interactive, inclusive new show that’s touring the UK in March, teaching children to embrace their own super powers!
From high in the sky to deep underground, including my first time riding 2 different modes of transport and my first London museum visit in ages, plus stand-up comedy, TV shows and music, there’s been a lot going on this month. London really is feeling alive and back to normal again, which is wonderful. So I’ve got a lot to get through here as usual, none of which is sponsored or gifted, and I hope you enjoy this latest roundup!
Finally. After all the pandemic restrictions and my recent health problems, it’s such a joyous relief to be out and about properly again, doing the things I enjoy.
So there’s quite a lot to mention in this month’s post and video, as I’ve been attending theatre shows for the first time in ages, taking nice walks, and enjoying a mixture of films, dramas, comedies and music at home. Plus I bought the new iPhone 13, which I’m very happy with as explained in my review, so the photos and videos you see going forward will be taken using that.
Apart from the theatre show States Of Mind, for which I was given complimentary tickets to go along and review, nothing else in this post involves any gifting or sponsorship. And all opinions are my own throughout. So I hope you enjoy!
Note: I received complimentary tickets to attend this production, but all opinions are my own.
It’s good to be back. After such a long absence from auditoriums, it was lovely to take a seat in a theatre again yesterday, to enjoy the premiere of a new and original play.
Note: This post is marked as an advertisement because I have been generously sent complimentary tickets to attend and review the show. I accepted them because I am very happy to support a production that features visually impaired performers and looks very interesting.
I’ve missed the theatre, it’s been 20 months since I last set foot in an auditorium. So what better time to make my return, than to see a brand new play that is produced and performed by visually impaired people, and is fully accessible for a visually impaired audience. That level of inclusion is courtesy of Extant, the UK’s leading performing arts company of visually impaired artists and creatives, whose work I’ve had the pleasure of seeing in the past when I saw Flight Paths.
The production, called States of Mind, is a contemporary dramatization of the poem Venus and Adonis, the first published work by Shakespeare. When the Bard wrote it, London’s theatres were closed because of the plague, so it’s rather fitting that this modern retelling was put together during the Covid pandemic.
In advance of its premiere on Saturday night as part of the Bloomsbury Festival, I was granted the opportunity to pose some questions to writer & director Christopher Hunter and actress Gillian Dean, who are both visually impaired (as is Gillian’s co-star Robin Paley Yorke).
So here Christopher gives us an informative introduction to the play, before Gillian gives an extensive and fascinating interview about her career and the play, and the accessibility of the performing arts for disabled actors like herself, and she gives a lot of advice for aspiring performers who want to get into the industry.
So, many thanks to Christopher & Gillian for giving up so much of their valuable time, amidst their busy preparations for the play, in order to share their insightful responses with me. Let’s get to it.
Hello again, I hope you’re all continuing to enjoy yourselves safely. I’m happy to say that I’ve managed to get out to meet some friends and explore the city again at long last, as my aches and pains are continuing to ease off, now that I’ve figured out how I was over-correcting my posture problems. I’m still not cancelling my November NHS physio appointment yet, as I don’t want to tempt fate, but I’m feeling much better at the moment. So I seem to be moving in the right direction, touch wood!
That means I actually have some recent and upcoming London adventures to tell you about in this month’s post and video, as well as the usual mixture of entertainment I’ve been into. So it’s a bumper update this time. With the exception of a theatre show I’ll be mentioning, for which I’ve been kindly given a review ticket, nothing else in this post is sponsored or gifted. So I hope you enjoy!
It’s safe to say that March was my busiest month since moving to London, with lots of exciting opportunities, events and activities that came along all at once. So I’ve got a lot to tell you about, including disability exhibitions and events, a few guest posts, theatre shows, museum visits, and other entertainment I’ve enjoyed.
On a few occasions I was gifted or had my blog promoted as thanks for my participation, which I’ve indicated where appropriate. That has of course been very flattering and I’m very grateful. But be assured that all opinions are my own throughout, and nobody has had any input into my content.
So I’m going to crack straight on with my recap of the month, and as always there’s a video to go with it. I hope you enjoy!
Well Eye Never 
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