Note: This post is marked as an advertisement because I have been generously sent complimentary tickets to attend and review the show. I accepted them because I am very happy to support a production that features visually impaired performers and looks very interesting.
I’ve missed the theatre, it’s been 20 months since I last set foot in an auditorium. So what better time to make my return, than to see a brand new play that is produced and performed by visually impaired people, and is fully accessible for a visually impaired audience. That level of inclusion is courtesy of Extant, the UK’s leading performing arts company of visually impaired artists and creatives, whose work I’ve had the pleasure of seeing in the past when I saw Flight Paths.
The production, called States of Mind, is a contemporary dramatization of the poem Venus and Adonis, the first published work by Shakespeare. When the Bard wrote it, London’s theatres were closed because of the plague, so it’s rather fitting that this modern retelling was put together during the Covid pandemic.
In advance of its premiere on Saturday night as part of the Bloomsbury Festival, I was granted the opportunity to pose some questions to writer & director Christopher Hunter and actress Gillian Dean, who are both visually impaired (as is Gillian’s co-star Robin Paley Yorke).
So here Christopher gives us an informative introduction to the play, before Gillian gives an extensive and fascinating interview about her career and the play, and the accessibility of the performing arts for disabled actors like herself, and she gives a lot of advice for aspiring performers who want to get into the industry.
So, many thanks to Christopher & Gillian for giving up so much of their valuable time, amidst their busy preparations for the play, in order to share their insightful responses with me. Let’s get to it.
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