Hello again, I hope your year’s been going well so far, and you’re enjoying the Easter weekend. For me, the first few months of 2026 have been a transition period, as I’ve been making the switch from my support worker role to a new zero-hours contract as an accessibility tester, so I can focus more on caring for my mother and looking after my own wellbeing. You can find out more about all of that in my latest Carer & Career Update post.
Because of that, along with the often cold and wet weather, I haven’t done many interesting things in London since my January Favourites. I’ve been out for a few walks, got a haircut and done some shopping when the weather allows, but that’s it – until very recently, when I saw my first theatre show of the year with a friend of mine, which was a much-needed bit of light relief.
So in this post I’ll be talking about my theatre visit, which involved a touch tour and audio description, as well as the variety of entertainment I’ve been enjoying at home. None of it’s sponsored or gifted as usual, and I hope you find it interesting!
Five decades on from its initial broadcast, The Sweeney remains one of the all-time classic cop shows, with one of the greatest theme tunes as well (by Harry South). Back in the 1970s, it was notable for its gritty realism, action sequences and violence, and for shining a light on the imperfections within the police force, from innocent mistakes and failed investigations to casual rule-breaking and outright corruption. British police dramas had largely shied away from the more illicit and brutal aspects of the job until then, but this tackled them head-on, so it really stood out.
Created by Ian Kennedy Martin, it starred the magnificent John Thaw as Detective Inspector Jack Regan alongside the equally brilliant Dennis Waterman as Detective Sergeant George Carter, with Garfield Morgan as their boss Frank Haskins, all of whom are sadly no longer with us. Their characters worked for the Flying Squad – known in Cockney rhyming slang as Sweeney Todd, hence the show’s title – and were normal, vulnerable human beings with their own problems like the rest of us, rather than flawless superhero crime-solvers. They didn’t always get the results they wanted, and when they did it wasn’t always in a tidy or strictly legal manner. So they were relatable to the audience in many ways, even if they were stronger and more courageous than most of us. And in amongst all of the drama they had occasional moments of humour too, as in a dark job like that you need moments of light relief.
There was an impressive roster of guest stars as well, with a lot of current or future big names from stage and screen popping up in many of the episodes, giving the show even more gravitas and credibility. It’s a further testament to the quality of the writing that many of them were tempted to get involved in the first place. It was a real mark of pride to have The Sweeney on one’s CV.
At long last the show has now been remastered and released in its entirety on Blu-ray, with 50th anniversary editions having gone on sale between June 2025 and February 2026 for Series 1, 2, 3 & 4, all of which I’ve bought to replace my old DVDs (so nothing here is gifted or sponsored). It’s been the perfect excuse for me to revisit the show, having not watched it for quite a while. So here are my brief reviews of all the episodes and extras from the box sets, and I hope you enjoy!
And now, as has been long anticipated since then, they’ve brought out a collector’s edition of Queen II, their fantastic and highly complex second album, in much the same vein. So naturally I’ve been looking forward to checking that out as well.
And just like last time, I’ve plumped for the digital download instead. It’s just £17.99 for the contents of all 5 CDs compared to the frankly ludicrous £194.99 for the physical equivalent, which has 2 vinyl records I’d have no use for and 2 of the CDs contain live tracks I already have from older releases. Sure, the book and photo prints look really nice, but I can live without them in the circumstances.
Considering the 6-CD box set for their previous album was an already steep £149.99, I’m baffled as to how this new 5-CD set is £45 dearer! Maybe it’s because it has 2 LPs rather than 1 like the previous set, one of which is white vinyl rather than black (as the album has ‘Side White’ and ‘Side Black’ instead of Sides 1 & 2). But it’s a lot extra just for that. If there had been a similar set without the vinyl LPs for a much cheaper price, I’d have been tempted to get it, but it’s quite common for box sets these days to have vinyls I don’t want. It always bugs me when artists do that.
Anyway, back in lockdown I wrote an extensive post reviewing the tracks onQueen II, along with related live performances and covers, so I’m not going to repeat that kind of thing here. Instead, I just want to compare the new mixes to the originals and look through the bonus material, and I’ve added the new tracks to my Queen II playlist as well. Nothing here is sponsored or gifted, because I bought the new download myself, and I hope you enjoy!
Way back in lockdown, to fill some of the time, I wrote in-depth reviews of the 1970s studio albums by Queen, my favourite band, which took me from their self-titled debut up to the Jazz album. And they’re about to release a new deluxe edition of Queen II, which I’m looking forward to downloading and reviewing, just like I did for their Queen I box set.
However, it’s long been my intention to review the rest of their albums as well, and now I’ve got more time on my hands, I’m going to delve back into them at long last.
So we’ll kick off the 80s with The Game, the album that produced Queen’s best-selling single of all time, and the only two number 1 hits they ever had in America (where it was also their only number 1 album, selling over 4 million copies). The Game also reached number 1 in the UK for 2 weeks, and stayed in the top 40 for 15 weeks altogether. Overall it sold over 12 million copies worldwide.
It’s also the first Queen album to feature a synthesizer (an Oberheim OBX), with their previous releases proudly stating that they never used them. Plus they had a new producer (Reinhold Mack, known simply as Mack), and they recorded the songs in a new location, at Musicland Studios in Munich. It therefore marked a new period of experimentation for the band, as they were persuaded to shift towards a more pop-friendly sound, although still infused with rock of course and it still sounds unmistakably like Queen.
It wasn’t always easy, with arguments in the studio as the band members were keen to be represented fairly on the record. But ultimately they were able to reach suitable compromises and produce another decent album with several great tracks. And as shown by the chart positions above, it enabled them to maintain their popularity in an era where other rock veterans were struggling, and even have their peak of success in the USA. The music scene was changing significantly in the 80s, but Queen were still very much in the game and still winning, at least for now.
So here are my reviews of all the songs, along with alternate versions, music videos, live performances, and a small selection of the many covers and remixes out there. And there’s lots more to see on my Queen & Covers playlists for this album as well that I haven’t mentioned here. I hope you enjoy!
The latest spin-off from Doctor Who, The War Between The Land And The Sea, aired on BBC One here in the UK in December, marking the last part of the collaboration with Disney. Although, strangely, it still hasn’t dropped on Disney+ to my knowledge, which is extremely unfair on international audiences, given that they had posted new episodes of Doctor Who simultaneously with the BBC. I know Disney aren’t that bothered about the franchise any more, but still, it’s not very polite.
In general, the series is a mixed bag. It is entertaining in many ways, with some great acting performances, cool special effects, big twists, evocative music, and a strong environmental message that isn’t preachy, asking what might happen if the creatures of the sea could really communicate with us. One particular character from Doctor Who gets a fantastic sub-story here as well. But in other respects the show doesn’t fully live up to the title or the hype, as it descends into a predictable love story more than a war drama, meaning it tails off towards the end rather than reaching an epic conclusion.
So on the whole I do think it’s worth a watch, whether you’re a Doctor Who fan or not, just as long as you manage your expectations a little bit. And with that in mind, I hope you enjoy my episode reviews here.
Hello again, I hope your year’s got off to a good start. For me, as noted in my recent update about my career and being a carer, my circumstances are set to change due to my mother’s ongoing support needs and funding cuts for my current job role. But Mum is much better than she was last year, I’ve already secured a new freelance position, and I have other financial support, so there’s good reason to be positive and hopeful about the year ahead.
I’m also celebrating 10 years of blogging and YouTubing, and that decade has really flown by! Thank you so much if you’ve played any part in that, whether it’s quietly reading my posts or interacting with me in some way, I really appreciate it!
But to focus on January, I have started going out and about more again, now that my mother’s situation has eased a bit. So I’ve met a couple of friends, eaten some delicious food and taken a few nice walks. Meanwhile at home, alongside my usual favourite TV programmes, I’ve been having a stand-up comedy binge by watching several specials and finishing an autobiography. So there’s quite a bit to mention as usual, none of which is sponsored to appear here, and I hope you enjoy!
And now my mother and I have listened to the audiobook of his new autobiography, Keep Laughing, and we’ve really enjoyed it, so I wanted to do a review here as well. This isn’t sponsored or gifted, I’m just a fan, and I hope you find it interesting.
We got there in the end. To conclude my series of photos that I took at the Freddie Mercury: A World Of His Own exhibition at Sotheby’s in 2023, we’re paying close attention to what the Queen frontman was best known for – his songwriting and performing.
There are some very significant items here, most of which are from the On Stage auction, but there are a few pieces from other auctions thrown in too. It all depends on how Sotheby’s had things on display in the galleries.
As has been the case in all the previous posts, clicking on the images will blow them up and the item links will take you to the description pages. So I hope you enjoy!
We’re now turning our attention to the On Stage auction, where items relating to Freddie’s songwriting and performing – some of which are very recognisable and important to big Queen fans like myself – sold for a total of £9,476,740! Most of the clothing shown here is from that auction but, as with previous posts, there are a few pieces from other auctions mixed in as well.
As ever, you can click on the images to enlarge them and the item names to read more, and I hope you enjoy seeing the wide selection I’ve included here.
This time I’m going to show you a wide selection of mostly smaller items that were sold in the first and second Crazy auctions, and occasionally some of the other auctions, from jewellery to various random objects.
As always, to enlarge the images you can click on them, and to read more about each item you can click on its name. Enjoy!
Well Eye Never 
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