Doctor Who Review – Season 1

This post has been updated since its original publication to include the Blu-ray steelbook, Prom concert and deleted scenes.

Back in 2005 I was one of the millions of people who got hooked on Doctor Who for the first time, thanks to the magnificent relaunch of the series by Russell T Davies. It was exciting to watch, and still is today, so I marked the 60th anniversary of Doctor Who last year by doing in-depth reviews of Series 1, 2, 34 plus the 2008-10 Specials. I will also be reviewing Series 5 onwards in due course, when Steven Moffat took over as showrunner.

And now, with this latest reboot, a new generation is hopefully experiencing the same thrill that I had back then. It feels special to me, because Russell’s back in charge, Steven’s written and produced one of the episodes, Murray Gold is doing the music again, and Julie GardnerJane TranterPhil Collinson & Joel Collins have returned as executive producers. The series is also being co-produced with the Bad Wolf production company, the formation and name of which will make sense to those who saw Russell’s first era, and the BBC have struck a deal to try and grow its global audience by streaming the show on Disney+.

Russell and co set out their stall last year with the fantastic 60th anniversary specials, demonstrating how epic the show can be with the excellent creativity, improved technology and higher budget at their disposal. While it already looked amazing before anyway, the upgrade is still noticeable and welcome, as is the greater recognition and incorporation of diversity. The trilogy also acted as a reset button in some ways, by tying up a few loose ends and granting the Doctor a fresh start, with less of the emotional baggage he once had, while still honouring and retaining the history of the character and the show.

That in turn paved the way for Ncuti Gatwa to step into the Doctor’s shoes, alongside Millie Gibson as his new companion Ruby Sunday. As with most of the actors who have played the Doctors and companions in the modern era, I’ve never watched them in anything else before, so I haven’t seen Ncuti as Eric Effiong in Sex Education or Millie as Kelly Neelan in Coronation Street, to name their most well-known roles. But that’s good really, as it meant I had no expectations and wasn’t distracted by comparisons to their previous work.

And I think Ncuti has been on fire as the Doctor from the get-go, right back to the bi-generation last year. He’s really made the role his own and is having a lot of fun with it, thanks to his wonderful energy and positivity, while also showing himself to be extremely capable in more serious, tense and emotional moments. He’s also unique in the fact that he has different outfits in every episode, rather than having one particular costume that he regularly goes back to, and he looks cool in everything he wears.

Companion Ruby is great as well, and has a very intriguing story arc. It just took a few episodes to get a really good feel for her, and it isn’t until midway through the series that we get to truly appreciate what a superb actress Millie is, especially for someone so young. Ruby and the Doctor have lovely chemistry too, aided by the fact that actors Ncuti and Millie are clearly good friends in real life, as can be seen in the behind the scenes footage and their many interviews.

As for the stories, we’ve had quite a variety this series as usual, so there’s something for everyone. The first couple of episodes are quite silly and light-hearted, to the point of feeling a bit too daft sometimes, as they give a misleading impression of what the series will be like overall, and don’t fully showcase Ncuti and Millie’s capabilities. But they do ease us in before everything shifts into high gear, as we get some very strong stories that are compelling, tense and thought-provoking. And the finale is of course an epic adventure, bringing together the seeds that Russell has been planting from the 60th anniversary specials onwards, and reintroducing a long-lost villain with an incredible cliffhanger. The ending isn’t perfect in some ways but it’s still very enjoyable and well worth watching overall, which can also be said for the series as a whole.

So this is my review of the latest series, looking through each of the episodes in turn (with spoilers in abundance), as well as extra content available online and on the DVD & Blu-ray releases. I’ve also created a Youtube playlist with lots of clips, behind the scenes features, music tracks, reactions, interviews and more. And none of this is sponsored, I’m just a keen fan of the show. So I hope you enjoy!

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Ross Noble – Stand-Up DVD Reviews – Part 2

Welcome to the second part in my trilogy of Ross Noble reviews. I’ve been rewatching his stand-up DVDs again, since I saw him live in March, so in my previous post I looked through the first batch of those releases, and now here I’ll be reviewing the rest. Then I’ll move on to some online bits and pieces in my next and final post about him.

As I explained last time, his improvised comedy means that every single show is completely different, resulting in multiple performances on each of his DVDs alongside a myriad of extra features. So once again there’s plenty to go through here, none of which is sponsored. On Youtube there some clips on his current and older channels, along with a few audio versions of his shows that are also available on Audible, and I’ve also compiled a huge playlist of clips featuring Ross from his stand-up shows and many other things. So let’s go through his remaining stand-up DVDs, and I hope you enjoy!

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May 2024 Favourites

Hello again, hope you’re all doing well. For me this month has certainly thrown up its share of surprises, and not just the exciting ones in Doctor Who. At home we had to call in the professionals to get rid of a few mice who quietly snuck in, and now in the UK we’re suddenly in the run-up to a snap general election. So there seems to be a running theme about banishing evil beasts who care little for human welfare and will continue to cause substantial damage if they’re not stopped.

But there are other things to mention as well. It’s been a relatively quiet month, but I’ve attended another fun musical, taken part in another audio description workshop, had some nice walks in the sunshine, and watched a few things on TV and DVD. So, with the usual disclaimer that nothing is sponsored to appear here and all opinions are my own, let’s crack on with my latest post and video roundup, and I hope you enjoy!

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Ross Noble – Stand-Up DVD Reviews – Part 1

Ross Noble has been one of my favourite comedians for many years, and I had a great time seeing him in March at the London Palladium, during his 21st tour called Jibber Jabber Jamboree. This was the first time I had seen him do stand-up in person, as the only other time I saw him live in the past was when he starred in Young Frankenstein back in 2017. But I knew what to expect, as I own all of his DVDs and have also enjoyed some of his online releases and TV appearances. And it was well worth the wait, he was brilliant.

What I love about Ross is that every single show he does is completely improvised, taking inspiration from people he sees or talks to in the audience to go off on surreal flights of fancy, along with occasional anecdotes about amusing things he’s seen and done. He’s never mocking or disparaging towards anyone he talks to, because he wants everyone to enjoy themselves, and he doesn’t have plants in the audience either. Every crowd is simply a new treasure trove of possibilities for him.

So every performance is completely unique and delightfully random, covering a myriad of different topics, as his imagination runs wild and goes in all sorts of weird, wonderful and unexpected directions. He has an extraordinary ability to go off on tangents, and sub-tangents, and countless layers of additional tangents, and then still circle back round to items he was talking about earlier, sometimes even linking things together, and keep it entertaining.

So he’s never short of things to talk about, his energy and creativity is amazing, and he’s consistently hilarious. Hence I own all of the DVDs that he released between 2004 and 2013. He really made the most of the format by including footage from multiple shows, audio commentaries, documentaries, quizzes, spoof copyright notices, animated menus, packaging with nice artwork, booklets that fold out into posters, and more.

In this post, therefore, I’m going to review the first 5 of his DVDs, as they contain a huge amount of material. I’ll then go through the rest of his DVDs in another post next month, and some other online material at some point after that, making this a trilogy altogether. I just thought I’d get this first part up in time for the long Bank Holiday weekend.

None of this is sponsored, I’m just happily bingeing on his stuff because I’m a big fan and I saw him live recently. You can see various clips on his current and older Youtube channels, there are audio versions of a few of his shows on Youtube and Audible, and I’ll compiled a huge playlist of clips as well. So I hope you enjoy this first set of reviews!

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April 2024 Favourites

Hey there, hope you’re all doing well. I’m good, although like all disabled people in the UK I feel great unease over the government’s proposed changes to our benefits. My PIP review still hasn’t been dealt with after 9 months as it is. I’m not going to rant about it here though – I’ve posted a brief thread and shared several other posts on my Twitter/X page if you want a wider sense of people’s reactions. But please do read the proposals and respond to the consultation if you can (by 22nd July), as it’s vitally important to have our voices heard at this early stage. Same goes for the separate consultation about fit notes (until 8th July) too.

But anyway, on to much nicer things, and there’s plenty that I’ve enjoyed during this past month, including a couple of exhibitions, a West End musical, a theatre workshop, stand-up gigs and other comedy shows. One of the exhibitions was a press invite for my journalist friend Emily, and I’m due to be paid for the workshop I took part in, but nothing is sponsored to be featured here and all opinions are my own as usual.

So let’s crack on with this month’s post and video, and I hope you enjoy!

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March 2024 Favourites

Hello again, I hope you had a nice Easter! And welcome to my latest roundup, which is an ‘out and about’ special, because I’ve had a very eventful month, with a couple of theatre shows, a couple of stand-up comedy gigs and a couple of tasty free meals that I want to talk about. I paid for the theatre and comedy shows myself, while the meals were free PR invites for my friend Emily to review, but all opinions are my own regardless. So I hope you enjoy this month’s post and video!

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Live Aid Review

Updated in July 2025 to include the 40th anniversary broadcasts.

July 13, 1985, was arguably the greatest day in the history of rock and pop music. As if anyone needs reminding, the extraordinary Live Aid concert was organised by Bob Geldof from the Boomtown Rats and Midge Ure from Ultravox to raise funds for the victims of the devastating famine in Ethiopia. It brought together many of the world’s biggest music stars in London’s Wembley Stadium and Philadelphia’s JFK Stadium, along with some additional contributions from other countries, and was broadcast live for 16 hours to nearly 2 billion viewers in 150 nations.

An event of such magnitude had never been attempted before. So given the speed in which everything was organised and coordinated in just a few months, the generosity of the performers and other personnel who gave their time and expertise for free, and the challenges of running and broadcasting it all using the limited technology of the mid-80s, it was a colossal achievement.

It wasn’t a magic bullet that fixed all the problems in Africa of course, nor was it ever intended or expected to be. But it had a huge impact, exposing the suffering of Africans in a way that couldn’t be ignored by politicians, the media or the public, and it raised an estimated £150 million that saved countless lives. It also launched a movement to fight poverty and injustice that has continued in various forms to this day, including the Live 8 concerts that followed in 2005, plus other charity records and events.

I wasn’t old enough to see Live Aid when it was originally held, as I was only a toddler at the time. I did hear a bit about it while I was growing up, and saw occasional clips here and there, but it was only when they released a DVD in 2004 that I finally got to really appreciate what it was like. Granted, several tracks were missed out, many of which have since been posted on the official Live Aid Youtube channel, and there are unofficial uploads of most of the others. So it would be amazing if they did an extended release in the future to fill in at least some of the gaps. One can hope at least. But as things stand, the DVD is still a fabulous record of the event, containing 10 hours of material.

I also got a further sense of what the experience must have been like recently thanks to the musical Just For One Day, which has just ended its 2-month run at the Old Vic Theatre. I had an amazing time seeing it with a touch tour and audio description.

July 2025 Update: The musical has since returned and is now running at the Shaftesbury Theatre. It really is well worth seeing.

So as a special extended post, I thought I’d take a deep dive into this massive event, by reviewing the DVD in conjunction with other videos online that fill in the gaps and add further context. I’ve also created UK and US playlists on Youtube with nearly all of the performances, along with a selection of interviews and other extras. So I hope you enjoy!

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January & February 2024 Favourites

Welcome to my first Favourites post and video for this year! As I had a very busy Christmas that lasted until mid-January, it made sense to combine the latter half of that month with February for this roundup.

Recent weeks have been quite relaxed compared to the festive period, as hoped and expected, but there’s still quite a variety of bits and pieces to mention. These include an audio described gallery tour, a free meal, a special scenic view of the city, an important new audio play, things I’ve been watching that have been recommended by friends, and other entertainment I’ve enjoyed. Some of these items are PR-related, as indicated when appropriate, but all opinions are my own regardless. So I hope you enjoy!

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AD | Extant – Unseen Interviews

Content Warning: Domestic abuse. There is support information at the end.

Unseen is an important and powerful audio drama about the impact of domestic abuse on visually impaired people. The free 45-minute production has been created by Extant, the UK’s leading performing arts company of blind and visually impaired actors and practitioners, and is inspired by the findings in the Unseen Report from the Vision Foundation.

I recently reviewed the drama in advance of its online premiere on Monday 4th March. But in addition to that, I was also invited to send in some questions to members of the team to find out more about how it was made.

So I’m delighted to share some interesting insights from sound designer Ian Rattray, director Ben Wilson and actor Georgie Morrell. Many thanks to all of them for putting aside some of their valuable time to answer my questions!

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AD | Extant – Unseen Review

Content Warning: Domestic abuse. There is support information at the end. I had early access to Unseen for review purposes, but all opinions are my own.

It can be easy to take dramas for granted, as just another form of entertainment. But recently we’ve all been reminded just how emotionally powerful the medium can be, for raising awareness and generating action around serious and devastating real-life issues. The Mr Bates series about the Post Office scandal, and Breathtaking about the NHS during the pandemic, pulled back the curtain to reveal shocking details about events that many people had little to no knowledge of.

The stories were told in a way that was realistic, relatable and accessible, without being sensationalised, so they were compelling and stuck in the mind very effectively.

Now a new audio drama by Extant, the UK’s leading performing arts company of blind and visually impaired actors and practitioners, takes a similar approach to another very difficult issue, in a uniquely creative way.

Unseen, a 45-minute drama which will be available to stream for free on Monday 4th March, shines a light on one of society’s most hidden and disturbing crimes – domestic abuse against visually impaired people (the lessons from which are applicable and adaptable to victims of all disabilities).

Did you know, for example, that at least 1 in 12 visually impaired people in the UK (around 188,000) are a victim or survivor of domestic abuse? Or that less than 1 in 5 domestic abuse professionals have had specialist training to support visually impaired victims or survivors?

No, me neither. These are just two of the alarming and sobering statistics in the Unseen Report by the Vision Foundation (using research commissioned from SafeLives), that are incorporated into this new production. It’s being released to coincide with No More Week (3rd-9th March), an annual event that raises awareness of domestic abuse and sexual violence, and educates individuals and organisations about how to take a stand against it.

Therefore, having reviewed some previous Extant productions, I was kindly invited to listen to Unseen this week, in advance of its public release, in order to share my thoughts on it.

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