Queen Reviews – Well Eye Never

Queen Album Review – Queen II – Collector’s Edition

Back in 2024, Queen released a collector’s edition of their debut album with new mixes, session outtakes, backing tracks and live performances, which I reviewed at the time.

And now, as has been long anticipated since then, they’ve brought out a collector’s edition of Queen II, their fantastic and highly complex second album, in much the same vein. So naturally I’ve been looking forward to checking that out as well.

Once again, there are multiple formats available from various retailers, including a big box set with 5 CDs and 2 LPs, a much simpler 2-disc CD edition with the new mixes and the sessions material, and others.

And just like last time, I’ve plumped for the digital download instead. It’s just £17.99 for the contents of all 5 CDs compared to the frankly ludicrous £194.99 for the physical equivalent, which has 2 vinyl records I’d have no use for and 2 of the CDs contain live tracks I already have from older releases. Sure, the book and photo prints look really nice, but I can live without them in the circumstances.

Considering the 6-CD box set for their previous album was an already steep £149.99, I’m baffled as to how this new 5-CD set is £45 dearer! Maybe it’s because it has 2 LPs rather than 1 like the previous set, one of which is white vinyl rather than black (as the album has ‘Side White’ and ‘Side Black’ instead of Sides 1 & 2). But it’s a lot extra just for that. If there had been a similar set without the vinyl LPs for a much cheaper price, I’d have been tempted to get it, but it’s quite common for box sets these days to have vinyls I don’t want. It always bugs me when artists do that.

Anyway, back in lockdown I wrote an extensive post reviewing the tracks on Queen II, along with related live performances and covers, so I’m not going to repeat that kind of thing here. Instead, I just want to compare the new mixes to the originals and look through the bonus material, and I’ve added the new tracks to my Queen II playlist as well. Nothing here is sponsored or gifted, because I bought the new download myself, and I hope you enjoy!

Queen Album Review – The Game

Way back in lockdown, to fill some of the time, I wrote in-depth reviews of the 1970s studio albums by Queen, my favourite band, which took me from their self-titled debut up to the Jazz album. And they’re about to release a new deluxe edition of Queen II, which I’m looking forward to downloading and reviewing, just like I did for their Queen I box set.

However, it’s long been my intention to review the rest of their albums as well, and now I’ve got more time on my hands, I’m going to delve back into them at long last.

So we’ll kick off the 80s with The Game, the album that produced Queen’s best-selling single of all time, and the only two number 1 hits they ever had in America (where it was also their only number 1 album, selling over 4 million copies). The Game also reached number 1 in the UK for 2 weeks, and stayed in the top 40 for 15 weeks altogether. Overall it sold over 12 million copies worldwide.

Freddie Mercury, sporting a moustache and wearing a black leather jacket over a red top, leaning back against a railing overlooking a snowy landscape with trees and a couple of buildings.

Brian May, with his hands in his light brown jacket pockets, leaning back against a railing overlooking a snowy landscape with trees and a couple of buildings.

It’s also the first Queen album to feature a synthesizer (an Oberheim OBX), with their previous releases proudly stating that they never used them. Plus they had a new producer (Reinhold Mack, known simply as Mack), and they recorded the songs in a new location, at Musicland Studios in Munich. It therefore marked a new period of experimentation for the band, as they were persuaded to shift towards a more pop-friendly sound, although still infused with rock of course and it still sounds unmistakably like Queen.

It wasn’t always easy, with arguments in the studio as the band members were keen to be represented fairly on the record. But ultimately they were able to reach suitable compromises and produce another decent album with several great tracks. And as shown by the chart positions above, it enabled them to maintain their popularity in an era where other rock veterans were struggling, and even have their peak of success in the USA. The music scene was changing significantly in the 80s, but Queen were still very much in the game and still winning, at least for now.

So here are my reviews of all the songs, along with alternate versions, music videos, live performances, and a small selection of the many covers and remixes out there. And there’s lots more to see on my Queen & Covers playlists for this album as well that I haven’t mentioned here. I hope you enjoy!

Queen Album Review – Queen I – Collector’s Edition

As long-term readers of my blog will know, Queen are my favourite band of all time. And they’ve just brought out a new box set of their 1973 debut album with remixed versions of the tracks and lots of extra material, some of it never before released. So naturally I’ve had to check it out.

I already did an extensive review of the album back in lockdown 4 years ago, as I reviewed all of their 70s albums as one of my projects to keep myself occupied while stuck at home. So I’m not going to repeat all of that here.

The purpose of this new post is to give my reactions to the tracks in the new set, and compare them with the original versions I already have where applicable. I’ve also updated my Queen I playlist on Youtube with the new tracks, while still retaining the previous 2011 remasters for comparison.

The Super Deluxe edition of this new release has 6 CDs and 1 LP, plus a 108-page book, a fold-out poster and 4 photo prints. There’s also a smaller 2-disc edition with just the remixed album and sessions material, along with other variations and merchandise, even including editions that have a cassette tape.

However, while I did buy the physical version of their Miracle box set a couple of years ago, I’ve bought the digital download of this new Queen I set instead, not least because it’s a hell of a lot cheaper at £17.99 compared to £149.99 for the box! It still has the contents of all 6 discs anyway, so I’m not missing anything. Furthermore, I consider this to be an alternate remix of the album rather than a replacement, a lot of the bonus material duplicates tracks from previous releases I already own, and I have no use for the vinyl (it is frustrating when artists don’t produce alternate vinyl-free versions of their box sets, as we don’t all want it). So I can’t justify the rip-off price tag on the physical set. I’m sure the book, poster and prints are lovely, but I can live without them.

I bought this new edition myself, so it’s not sponsored by Queen or Sony or anyone else, and all opinions are my own. So let’s get on with it, and I hope you enjoy!

Queen Album Review – The Miracle – Collector’s Edition

Back in the first lockdown in 2020 I started doing an occasional series of reviews celebrating Queen‘s 50th anniversary by doing very in-depth reviews of some of their albums. The posts have been very sporadic due to all sorts of other things keeping me busy, as well as the level of detail they contain, but it’s always been my intention to continue the series when time permits.

And now I have the opportunity to do a Christmas special, as the band recently unveiled a new edition of their 1989 album The Miracle. When it was first announced I eagerly pre-ordered the full Super Deluxe Collector’s Edition & Press Pack as an early festive treat for myself, so I thought I’d do a detailed review now that I’ve had time to go through it and savour its contents.

The set was retailing at £169.99 (plus shipping), but I took advantage of a 10% discount code that I received from their store for my birthday a few months ago. So I was charged £127.99 for the 8-disc box set, £25 for the press pack and £6.26 shipping, making £159.25 in total. And that’s not bad at all, considering how much you get.

There are cheaper editions too though, depending on what you can afford, including the 8-disc set without the press kit, a 2-disc edition consisting of the album and the sessions, and a download version that covers all 4 music CDs, plus there are related items of merchandise. So there’s something for everyone.

I’ve made an unboxing video to go with this post, where you can see my initial reactions to the contents of the set, and there’s an unboxing video by Brian May as well. Queen have also posted a couple of short documentary features about The Miracle to coincide with its re-release, which you can see here and here.

So in this post I want to review the set in full, to give my thoughts on all the music tracks and videos, the memorabilia, the book and the radio interviews – which means there’s a lot to cover here, and I hope you enjoy it!

Queen Album Review – Jazz

Following News Of The World, an album of raw energy that spawned the mega-hits We Will Rock You & We Are The Champions, on top of their previous successes, was always going to be a very tall order for Queen. But, as always, they weren’t deterred by that, and opted to explore a variety of musical styles on their 7th album (though not including jazz itself as the title might suggest). And it didn’t do them any harm, as the LP peaked at Number 2 in the UK charts (held off the top spot by the Grease soundtrack), and Number 6 on the US Billboard Chart, going Platinum in both countries.

Overall the album perhaps isn’t as stunning as some of their previous work, but only because of the incredibly high bar they’d set themselves, and it’s still really good in its own right. For a start, it gave us their well-loved songs Fat Bottomed Girls, Bicycle Race and Don’t Stop Me Now, a trio that makes it worth the price of entry alone (although surprisingly the latter wasn’t a big hit to begin with). And the other ten tracks are an enjoyable mixture too, with some relatively obscure gems amongst them as usual.

The heavy criticism it received in the music press at the time was certainly unwarranted, with the band even being described as “fascist” and “creeps” with “polluting ideas” by Rolling Stone reviewer Dave Marsh. But it was often fashionable for music critics to bash the band, and reviewers tended to be thrown off guard whenever Queen tried something different (which was always), not knowing how to react to it and simply not ‘getting it’. Queen’s humour and sense of fun often went over journalists’ heads.

Hindsight has been kinder though, with retrospective reviews often being more favourable, such as Loudersound ranking it as their 4th best album, and Rolling Stone magazine admitting they were wrong. It is now rightly acknowledged that the album is rather underrated, as it’s never had as much attention as some of their earlier work.

And so, as the latest instalment in my series of Queen reviews, this post is my personal run-through of all the tracks on the Jazz album, including the usual mixture of alternate versions, live performances, covers and more. I hope you enjoy!

Queen Album Review – News Of The World

1977 could have been the year that Queen’s reign came to an end. With punk rock very much in the ascendancy, having gained traction over the previous few years, there was a greater appetite for raw power and simplicity in rock music, rather than elaborate and fancy progressive rock. And Queen’s last album, A Day At The Races, despite being an excellent collection of songs, hadn’t sold quite as well as its behemoth predecessor A Night At The Opera, with some critics and fans feeling that it was more of the same without any notable improvement. So it was going to seem too repetitive if they did the same kind of thing yet again.

The band were perfectly happy to adapt and take on the challenge though, and indeed were already keen to try something different from the multi-layered, complex productions they felt they’d done enough of by this point anyway. So even without the emerging competition from the punk scene, it was already the evolutionary path they were heading down.

As a result, News Of The World marked a shift towards a purer hard rock sound, and took just 2 months to record (compared to 5 for A Day At The Races). The tracks still had some beautifully arranged harmonies and instrumentation thrown in, but not as lavishly and prominently as before. There was also a change in how evenly the writing credits were distributed, with 4 tracks now written by Brian, just 3 by Freddie, and an increase to 2 each for Roger and John. And the band produced the album themselves, with assistance from engineer Mike Stone, now they had the experience and confidence to do so themselves.

It all worked out very well, resulting in another great selection of songs. And so, as you’ll be accustomed to by now if you’ve followed my Queen reviews to date, this is my personal review of each of the tracks, including a look at alternate versions, music videos, live performances, covers, etc, along with other bits and pieces that I’m aware of. I hope you enjoy!

Queen Album Review – A Day At The Races

The time has come for me to review Queen’s 5th album, as part of my ongoing series of reviews. The musical majesty and stellar success of A Night At The Opera was always going to be a tough act to follow, and impossible to beat. But Queen were up for the challenge, and set about making A Day At The Races between July and November 1976. They produced it entirely by themselves for the first time, now that they had sufficient experience and were keen to give it a go, instead of employing Roy Thomas Baker like they had before. They continued to use engineer Mike Stone though.

The album was designed to be a companion piece to its predecessor with a similar variety of music. So it was again named after a Marx Brothers film, and Groucho Marx sent a note to congratulate them on their success and their “sage choice of album titles”. It also had a similar cover design to the previous album, with the colourful Queen crest on the front, but everything was on a black background instead of white this time. Brian later expressed a wish that both Opera and Races had been released together, as “the material for both of them was written at the same time, so I regard the two albums as completely parallel.”

The band are also credited in fun ways in the sleeve notes – in addition to the usual mentions of vocals, piano, guitar, etc, Freddie is the “Choir Meister” and contributes “tantrums”, Brian is the “Leader of the Orchestra”, and Roger provides “Pandemonium”. John is merely credited as playing Fender Bass and doesn’t get anything extra, which is reflective of his nature as the quiet one in the group.

Queen London Locations Walk

Back in September I spent a day walking around some of the Queen-related locations in Hammersmith & Kensington, following the Day 1 itinerary on the Queen Locations website (and you can read a Queen Online feature by site owner Judit as well).

My intention was to find most of the locations listed on that website over a series of walks – i.e. those that still exist that I can get to reasonably easily. However, due to the weather and the toughening up of Covid restrictions, I haven’t yet had a safe chance to go hunting for any more.

So these are the locations I’ve found so far, including some key places where the band lived, recorded and performed. As well as the website mentioned above, further notes and photos about these locations can be found on Queen Concerts, Mercury Paradise and the map on Shane’s Queen Site. I hope you enjoy walking in Queen’s footsteps with me!

Queen Album Review – A Night At The Opera – Part 3

This is the final instalment of my deep dive into Queen’s epic 1975 LP, following on from Part 1 and Part 2. The album of course finishes in style, courtesy of their biggest hit of all time, followed by a patriotic instrumental at the end. So let’s get straight on with it, as there’s plenty to discuss. I hope you enjoy!

Queen Album Review – A Night At The Opera – Part 2

The first side of Queen’s hugely successful and perennially popular 1975 album, which I reviewed last week, is in itself quite a stunning collection of assorted treasures.

But those tracks were also paving the way for even more incredible delights on the flip side, for which there is a great deal to talk about. So much so, in fact, that I’ve had to split my reviews for the second side into 2 parts.

In this post, therefore, I’m going to take a close look at the next 3 tracks, then I’ll conclude the album in Part 3. The first track in this post is their longest song and one of their most complex, while the second is their most popular sing-along acoustic number that’s spawned a ton of live performances and covers, and the third is a delightful Dixieland tune. So I hope you enjoy!

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