Sting – Well Eye Never

September 2025 Favourites

Welcome to my latest monthly roundup, I hope you’re doing well.

In terms of my caring responsibilities towards my mother, who is still recovering from her broken wrist, I’ve continued posting separate journal updates about everything that’s been going on, split into Part 1 and Part 2 for this month. So do read those posts if you want to be kept informed about that side of my life. Suffice to say that while we are still finding things difficult in some ways, she is continuing to get various forms of help, and we are now starting to consider the support required for her longer term care needs. Plus we’ve already had a very positive development at the start of October, perhaps the most significant to date, that has the potential to make a huge difference long-term. I’ll tell you about that in my October journal posts in the weeks ahead, and it’s going to be an important transitional month if all goes to plan.

Apart from all that though, I have kept myself entertained in various ways as well, with music, TV shows and an audiobook. So here are the main things I’ve been enjoying, and I hope you find them interesting to read about as always.

Live 8 Review

Back in March I posted a review of Live Aid, the iconic concert from 1985 that united people from around the world to support the victims of the famine in Ethiopia, to coincide with this year’s musical at the Old Vic that celebrated the occasion.

For a long time it seemed like such an event would never happen again, but 20 years later Bob Geldof and Midge Ure got together once more to organise Live 8. Ten concerts were held worldwide on 2 July 2005, viewed by 3 billion people, plus a final one on 6 July, to put pressure on the leaders of the countries attending the G8 summit to take stronger action to make poverty history. There had also been a 20th anniversary version of Do They Know It’s Christmas? the previous December as well.

Of course, how much of a difference the event actually made will always be up for debate, but it certainly changed things to an extent, with some commitments made with regards to increasing African aid and cancelling debts. But there will always be much more that politicians can and should be doing, and a discussion on that side of things is far beyond my expertise or the scope of this post, so I won’t be going into that here.

Double-page spread from the Live 8 DVD booklet, with a foreword by Bob Geldof in white text on a blue background. An image of the 8 political leaders from the G8 countries spans the top of both pages, while there's a photo of Bob Geldof at the bottom of the right page, below his signature in black.

In any case, the concerts featured a huge variety of artists, and whilst I felt it was much more of a mixed bag compared to Live Aid, it was still a lot of fun. I had also been far too young to see Live Aid when it took place, which meant I only got to watch it when it was released on DVD many years later, whereas I was able to see Live 8 when it was actually broadcast, as I recalled in my journal at the time.

I also bought the DVD box set of Live 8 that was released in November that year, presenting a wide selection of tracks, and that’s what I’m going to review in this post, along with some online videos that fill in the gaps. I’ve also created Youtube playlists for the UK concerts and the rest of the world, with lots of performances from the official Live 8 Youtube channel (where they’ve uploaded quite a few that were omitted from the DVD set), plus a selection of other clips. I’ve linked to a lot of the videos during this post as well.

So without further ado, and as a sequel to my earlier Live Aid post, I hope you enjoy this run-through of the different concerts and my thoughts on some of the performances!

Live Aid Review

Updated in July 2025 to include the 40th anniversary broadcasts.

July 13, 1985, was arguably the greatest day in the history of rock and pop music. As if anyone needs reminding, the extraordinary Live Aid concert was organised by Bob Geldof from the Boomtown Rats and Midge Ure from Ultravox to raise funds for the victims of the devastating famine in Ethiopia. It brought together many of the world’s biggest music stars in London’s Wembley Stadium and Philadelphia’s JFK Stadium, along with some additional contributions from other countries, and was broadcast live for 16 hours to nearly 2 billion viewers in 150 nations.

An event of such magnitude had never been attempted before. So given the speed in which everything was organised and coordinated in just a few months, the generosity of the performers and other personnel who gave their time and expertise for free, and the challenges of running and broadcasting it all using the limited technology of the mid-80s, it was a colossal achievement.

Double-page spread from the Live Aid DVD booklet. On the left, a colour photograph shows a couple of large water jets being sprayed across the huge crowd in Philadelphia to keep them cool in the heat. On the right, a black and white photo shows frail African children and adults wrapped in blankets outdoors, stretching far into the distance.

It wasn’t a magic bullet that fixed all the problems in Africa of course, nor was it ever intended or expected to be. But it had a huge impact, exposing the suffering of Africans in a way that couldn’t be ignored by politicians, the media or the public, and it raised an estimated £150 million that saved countless lives. It also launched a movement to fight poverty and injustice that has continued in various forms to this day, including the Live 8 concerts that followed in 2005, plus other charity records and events.

Double-page spread from the Live Aid booklet. A yellow strip across the top has text that says Band Aid chartered three ships which sailed every week to Africa.
The ships carried medicine, tents, trucks, vegetable oil, grain, and flour. Below this is a photo of one of the ships and 2 photos of the aid packages on board. Below those images is a photo of the group finale at the end of the Wembley concert, led by Bob Geldof and Bono, and a large photo spanning both pages that shows the huge crowd in Wembley, with the stage on the right.

I wasn’t old enough to see Live Aid when it was originally held, as I was only a toddler at the time. I did hear a bit about it while I was growing up, and saw occasional clips here and there, but it was only when they released a DVD in 2004 that I finally got to really appreciate what it was like. Granted, several tracks were missed out, many of which have since been posted on the official Live Aid Youtube channel, and there are unofficial uploads of most of the others. So it would be amazing if they did an extended release in the future to fill in at least some of the gaps. One can hope at least. But as things stand, the DVD is still a fabulous record of the event, containing 10 hours of material.

I also got a further sense of what the experience must have been like recently thanks to the musical Just For One Day, which has just ended its 2-month run at the Old Vic Theatre. I had an amazing time seeing it with a touch tour and audio description.

July 2025 Update: The musical has since returned and is now running at the Shaftesbury Theatre. It really is well worth seeing.

So as a special extended post, I thought I’d take a deep dive into this massive event, by reviewing the DVD in conjunction with other videos online that fill in the gaps and add further context. I’ve also created UK and US playlists on Youtube with nearly all of the performances, along with a selection of interviews and other extras. So I hope you enjoy!

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